エピソード

  • Creator to Creators S7 Ep 43 Jamie B. Cline & Justine Renee (Spilled Paint Cast)
    2025/06/17

    Bio
    Justine Renee is an actor and improviser driven by a deep passion for storytelling and creative
    expression. A graduate of Suffolk University with a degree in Theatre, she has performed in numerous
    stage productions, including Crimes of the Heart and Hair.
    Her training includes Improv Performance and Stand-Up at Sak Comedy Lab, as well as improv studies at
    The Groundlings in Los Angeles. She is also a cast member of the MallRatz Improv Troupe.
    Justine’s on-screen career continues to grow, with recent credits including Spilled Paint (now streaming
    on Tubi) and a Lifetime movie set to premiere in late 2025. She is a proud recipient of a Golden Telly
    Award for Social Change, honoring her work in the arts and beyond.
    An advocate for embracing authentic creative voices, Justine believes that the power of art lies in our
    ability to connect with our true selves and express that uniqueness in everything we do.

    BioThe “extraordinarily mundane” Jamie B. Cline (as no one calls him) likes to liven up life through art, so he decided to get an MFA from USC for (performing) and then stick around Los Angeles because why not. Portraying the role of Patrick Walsh has been an amazing journey amongst some amazingly talented creative artists and hopefully this is just the beginning of everyone’s journey with Spilled Paint.
    Other recent credits include performing in an online short play by Douglas Stark with Playzoomers, as the Jackalope in Easter Bloody Easter, and as Charles Goodnight in the documentary short Freedom on the Range.
    Whether he’s acting, writing, improvising, doing creature work or stunts, Jamie holds to the belief that art should be an experiential journey for everyone and the best part of the collaboration is sharing it with an audience.



    Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.
    続きを読む 一部表示
    41 分
  • Creator to Creators S7 Ep 42 Crazy James
    2025/06/15
    https://distrokid.com/hyperfollow/crazyjames/bthd
    Youtube
    Instagram

    BioLUTON, UK – June 2025 — British rapper Crazy James returns with his latest sonic
    firestorm, “BTHD,” a track that fuses raw emotion, stunning lyrical agility, and head-
    nodding production into one unforgettable ride. With lush piano flourishes and a beat
    that’s as fresh as it is infectious, “BTHD” showcases Crazy James at the height of his
    artistry—delivering a flow so passionate and magnetic, it’s impossible not to feel it.
    “BTHD” stands for Bone Thugs-N-Harmony Disorder—a title as intriguing as the record
    itself. “I’ve always been a massive fan of Bone Thugs-N-Harmony,” James explains.
    “They’re a big reason I started rapping. This song is really an homage to them and their
    melodic sound.” While the Cleveland legends never had the same breakout fame in the
    UK as in the States, Crazy James makes it clear that their influence runs deep in his
    DNA.
    From the first piano note to the final verse, “BTHD” radiates energy and intent. The
    production strikes a balance between classic and current, evoking nostalgia while
    sounding distinctly 2025. James’ delivery is sharp, emotionally charged, and beautifully
    dynamic, with verses that dance between reflective storytelling and fast-paced
    wordplay. “When I heard the beat,” he recalls, “I had the melody in my head straight
    away—singing it in the shower, humming it constantly. Even if it was gibberish, I had to
    get it down. Then I started shaping it into something real.”
    Fans of anime will find something extra to love in “BTHD” too, with James sneaking in
    references to Dragon Ball Z—a nod to his love of animation and layered lyricism. “I like
    to play with words,” he says. “People always say I’m hard to categorize—but that’s the
    point. There’s no sound for me. I just create what’s true.”
    The single is part of a larger creative vision that includes his forthcoming LP, featuring
    previous releases like “Whip It,” “Levels,” “Killer Instincts,” and “Show Me”—many of
    which have already caught the attention of BBC Introducing. “Everything on the album is
    intentional,” James says. “You won’t skip a single track.”
    The new music video reflects that same cinematic ambition. It intertwines visuals for
    both “BTHD” and “Killer Instincts,” carrying on a narrative thread started in the “Levels”
    video. “The goal was to make the visuals feel like a continuous story,” James shares.
    “There’s even a teaser for the next single, ‘Higher Learning in Berlin.’ We’re planning to
    film in Berlin later this year.”
    What sets Crazy James apart isn’t just his sound—it’s the spirit behind it. Drawing on a
    childhood spent across Ghana, Belgium, Congo, Saudi Arabia, and the UK, James
    channels a multicultural perspective into music that’s rich with soul, struggle, and
    honesty. Whether he’s reflecting on mental health, fatherhood, or artistic integrity, he
    does so with an unshakable authenticity.
    “Performing live is hard,” he admits. “I give all my energy. But it’s worth it. I rap to
    express what’s inside me—and to let people know they’re not alone.”
    Outside the studio and stage, James juggles a full-time job and fatherhood. “It’s tough,”
    he says. “But I want to leave something behind—not just for my kids, but for the world.”
    With “BTHD,” Crazy James proves he’s not just rapping—he’s building a legacy.
    “Thank you for the support,” he says to fans. “Please keep sharing. More amazing
    material is on the way.”



    Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.
    続きを読む 一部表示
    39 分
  • Creator to Creators S7 Ep 41 Queen Diamond
    2025/06/11
    Youtubehttps://www.lbdcorptherightchoice.comInstagramBioTo her careers as an entrepreneur, author, MC host, and inspirational speaker, CatreseAlston, under the artist name Queen Diamond, has added singer/songwriter to her list ofaccomplishments.She has just released four songs, hip-hop and R and B, but “Money Wave” is THE song.“‘Money Wave’ is talking about me, in a sense, and also as it relates to money,” shesaid. “It’s talking about how you get that money and live that life.”It is kind of like her inspirational speeches rendered in hip-hop, with a beat and a chiming melodyand an upbeat rhythm that perfectly punctuate the lyrics, which are possibly the only hip-hop inexistence that includes the word “portfolio” and the term “LLC.”Imma show you how it’s ’bout to go downPortfolio fat like them 808 drumsLLCs, that’s how freedom comesEvery single deal—ka-ching—outcomes“It’s basically telling you how you can make it,” she said. “I’m telling them you got tohave those LLCs in place, and you got to be able to turn those deals into moneyoutcomes. Sometimes you don’t have to move where everybody can see everything.You need to move in silence. And when you move in silence, but you move effectively,those checks gonna scream loud.”Turn a risk into a ring the way I marry sumsPower moves quiet, then the check screams loudJumpin’ off the jet in designer, head-crowdEagle-eye vision—spot a bag in the cloudIt is almost certainly the most fun financial advice you will ever hear.It is also a personal statement of intent.“I have held back. I’ve had a lot of challenges in life, and I have kind of been on theback burner because I’m always putting everybody else ahead and helping everyoneelse. But now I’m gonna show you how it’s about to go down for me.”Music is something she has always wanted to do, but life, the need to make a living andsome extreme hardships intervened.“I got pregnant at a young age. My mom was murdered when I was five. Mygrandparents raised me and my brother, but they both died by the time I turned 18. So,I’ve always been independent and finding my way, and music was what always mademe feel better.”She passed her love of music on to her children, who are now singers and rappers intheir own right, and she has her own production company, BossCat Entertainment.“I pushed them and supported them, and now they’re pushing and supporting me.”The tipping point that decided her on doing what she always wanted to do, began duringthe time of COVID, when she discovered she had stomach cancer. She beat it, andearly this year she celebrated her fifth year of remission.One particular moment was when she was playing around with her music with a friend,who said, “Oh my God! You should be doing something.”“And I said oh, no, that was a dream I had before, and she said, ‘Okay, you’re not tooold to live your dream.’ And I said, ‘You know what? That’s one of the things I want meto do.’ And so now, after overcoming cancer and even going blind in 2023 and gettingmy vision back, everything that I always wanted to do, I’m going to do it.”Of the four songs she has just released, “It’s My Birthday” is pure hip-hop celebration,with what sounds like a bass sax joining the drum in the beat, and “Pleasure and Pain”is an R&B and hip-hop fusion on relationships — the pleasure and the pain.The other two, “Money Wave” especially but also “Stone Cold Lover,” are Catresestaking out her ground as Queen Diamond.“‘Money Wave’ is letting you know I’m coming forth. I’m wearing the crown, and it is theQueen Diamond era.”In “Stone Cold,” the singer is talking to a lover, but warning him, too.“I’m trying to reach my goals, and although I may want someone to be beside me, and Imay care about you, you can’t let your emotions get involved, because I’m on amission.”I’ma show you how it’s ’bout to go down—Risin’ to the top, we don’t play ’round—Money wave comin’, watch me surf that “Money Wave” is all about the mission, and money is a big part of that, but it’s noteverything.“I’m about building a legacy,” she said. “When you leave this earth, what do you leavebehind? I’m not talking about things that can disappear. Materialistic things, they can bedissolved. How have you impacted somebody else’s life, through inspiration, throughwords, through motivation, through music?”And, the music is also about fun, which comes out when you ask her what she wants todo with it, where she wants to go with it.“I want to have fun with it. I want to be able to reach a vast amount of people, share mystories through my songs, because it’s very relatable to a lot of things that people dealwith in their life, and I want to be encouraging.”Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.
    続きを読む 一部表示
    39 分
  • Creator to Creators S7 Ep 40 Pamela Edwards McClafferty
    2025/06/11
    Spotify
    Youtube
    Spellboundpic Twitter


    BioPamela Edwards McClafferty didn’t grow up hearing war stories. Her father, a WWII veteran,
    lived in silence with his memories. She noticed that her father-in-law, the quiet sailor, also
    endured as did many other veterans she met. The silence of these men and women is the spirit
    behind the haunting ballad, “SOLDIERS NOT FORGOT.”
    Released just before Memorial Day, this is a song giving voice to what generations of veterans
    couldn’t say out loud. It is a tribute “to my father,” Pamela says, “and all who now defend and
    did defend and protect our country.”
    While working on the musical Artland, with Stanley Clarke, the lyrics of this song lingered as she
    kept thinking about soldiers returning from war. Who did they talk to? How did they feel? How
    lonely they must have been. This was long before therapy apps or terms like PTSD.
    “SOLDIERS NOT FORGOT” is a slow burn. Singer Lain Roy, whose family has a military
    background, carries the track with a voice that blends soulful grit (reminiscent of John Legend)
    with deep feeling and memory. As the song reaches its climax, Roy soars into a sustained high
    note as the music drops out. It’s pure emotion:
    In peace, we soldiers live like other men
    Yet a hint, a sound, fans memory’s embers again.
    “I hope that SOLDIERS NOT FORGOT helps veterans heal from such traumatic experiences of
    war, helps to raise awareness of the soldier’s true stories, and shows the impact war has on our
    military members.”
    Also performing on the track is Tzuriel Tong, whose piano and cello work weave around Roy’s
    voice with sparse elegance. Tong plays piano and cello and mixed and mastered the track.
    Michael Parnell was the arranger.
    The song’s co-producer, Pamela’s partner, Mark McClafferty, feels the weight of the song, too.
    His father served on the USS Laffey in WWII — known as “the ship that would not die.” His
    father never spoke about the war until he read the lyrics of this song. “My Dad got emotional. It’s
    the first time I had ever seen him cry,” Mark said.
    “SOLDIERS NOT FORGOT” has that kind of power. It opens doors slammed shut by society.
    Not for explanation, but for recognition. For remembrance. For release.
    “Above all, this song is a gift to all veterans, to their families and all people who wonder what
    happens to the men and women after their uniforms come off,” Pamela says, “because even
    decades later, for many veterans, the war never ends:
    We fight to the death, we fight to live
    That’s our Hell, for others to live
    That’s what we give
    With “Soldiers Not Forgot,” McClafferty has carved out a space for silence to speak. And for all
    of us, the recipients of the sacrifice of veterans, to finally hear it.



    Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.
    続きを読む 一部表示
    41 分
  • Creator to Creators S7 Ep 39 Nathan D. & D’Lytha Myers
    2025/06/11
    Watch film here Aria Appleton Shines https://www.primevideo.com/detail/Aria-Appleton-Shines/0KQQSU3KV9JHQ6LC5HIBWUIXXS

    Bio
    Nathan D Myers is an award winning Creator with Actor, Director and Designer credits. Nathan was the Lead Designer of the Capernaum Studios & Gardens project featured in seasons 1-3 of the global hit, episodic series The Chosen. He recently Production Designed the feature Matter of Time with Sean Astin (Premiering at DIFF this month) and in the process was sworn into the Goonies by “Mikey” himself! Nathan designed the flagship faith-based series County Rescue for Great American Pureflix, now in its second season. He recently held the position of Supervising Art Director on the Rick Eldridge Feature Florida Wild starring Aspen Kennedy, Mira Sorvino, Lee Majors, Chandler Riggs, & Bailey Chase. Nathan also has a small acting role in the film opposite Jonathan Schaech. Nathan is August 2025's Film Camp Director at Dallas Jenkins' The Chosen CHFA Film Camp at Camp Hoblitzelle. Nathan is also the Founder of Grafted Studios, Inc, and Co-Founder of the Fort Worth Actors Studio; As an Actor, he has been on stage and in numerous shorts, shows and several features. He recently guest starred in Vindication Season 4 E2 opposite Todd Terry and Julie K. Rhodes. As a Director, he has Directed several shorts and commercial pieces but he was also the Director of the multiple award winning (including the ICVM Gold Crown Award Feature Comedy Aria Appleton Shines– Releasing this year! He also wrote all six original songs within the very musical movie, and co-wrote additional songs with his biological brothers, The Myers Brothers, songs now attached to the movie. As an Author, Nathan has penned screenplays, commercials, songs, poems, and the upcoming Artist-Unblocking book for Actors and Creatives, Acting Dangerously, emotional memory and PTSD. Nathan is a homeschool Dad of two clever kids and married to the beautiful and talented
    Bio
    D’Lytha Myers. D’Lytha Myers is a homeschool mom of a 12 year old daughter and 3 year old son, the Director of Fort Worth Actors Studio, and is the Creator and a Producer of the feature film, Aria Appleton Shines. Prior to bringing forth tiny humans into the world, she was a full time stage and screen actress. She started in 2002 at Casa Mañana, a regional theatre in Fort Worth, as a Resident Actor and teacher. A few of her favorite roles have been in Man of La Mancha (Antonia), Oklahoma! (Gertie), and Roger’s and Hammerstein’s Cinderella (Cinderella), as well as the feature film Rain (starring Academy Award winner Faye Dunaway). She has a B.F.A. in Musical Theatre from The University of Oklahoma, an M.A. in Drama from Texas Woman’s University, and studied abroad at The Gaiety School of Acting in Dublin, Ireland. In her not-so-spare time, she sits on her couch and marvels at God’s sense of humor for giving her a three year old boy in her mid-40’s.

    Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.
    続きを読む 一部表示
    1 時間 3 分
  • Creator to Creators S7 Ep 38 MAL€K
    2025/06/07
    American Artist MAL€K Releases New Single “Toast
    to That,” a Genre-Bending Celebration of
    Serendipitous Connection

    Bio
    West Coast artist MAL€K (born Kalin Curran) returns with “Toast to That,” a magnetic
    lead single that weaves hip-hop, pop, and elements of country swing. Building on the
    emotional depth of his previous work, the track leans into a narrative of unexpected
    connection, capturing that surreal moment when a stranger becomes something more.
    The track is a nod to fate, flirtation, and the cosmic odds of real chemistry, all set
    against a cross-genre backdrop that reflects MAL€K’s boundary-pushing musical
    instincts.
    “It’s about that kind of unexpected connection that forms, and moves you so much that
    you want to celebrate it, acknowledge it, or appreciate it in some way,” shared MAL€K.
    In many ways, this single also serves as a toast to MAL€K’s artistry and technical
    prowess, not only highlighting his skill as a writer and storyteller but also underscoring
    his evolution into a fully self-sufficient artist. By overseeing every stage of the creative
    process—from production and mixing to mastering—MAL€K crafts a distinctive sonic
    landscape, defying genre conventions. “Toast to That” exemplifies his meticulous
    craftsmanship, marrying narrative depth with innovative production to deliver a cohesive
    and compelling work that cements his place as a contemporary artist.
    “Years ago, I let someone work on my vocals and was not pleased with the results, so I
    promised myself from that moment I would learn what I needed to, I promised myself
    that no one else would touch my voice or sound, but me!” said MAL€K
    “Toast to That” is the lead track from MAL€K’s third album, The Never Ending Story Part
    III: The Rolling Stone, set to release on May 31st. This album delivers a cinematic sonic
    punch, immersing listeners in a vivid, fictional chapter of MAL€K’s life—a restless
    “rolling stone” with a bottle in one hand and a mic in the other, embodying a rockstar-
    popstar hybrid caught between chaotic highs and haunting truths.
    The record journeys through contrasting scenes: from whiskey and picklebacks to
    serene countryside escapes; from backstage mayhem to the sting of front-page
    heartbreaks; from electrifying live shows under neon lights to lost nights battling inner
    demons disguised as dreams. Fans can look forward to one more album before this
    Never Ending Story saga reaches its powerful conclusion.
    “It picks up where I left off in The Never Ending Story Part II, so this is meant to be
    played top to bottom, like a movie or story,” explained MAL€K.

    Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.
    続きを読む 一部表示
    38 分
  • Creator to Creators S7 Ep 37 Win Obami
    2025/06/07
    InstagramYoutube SpotifyBioWin Obami is a French-American artist from Nanterre, France who now resides in LosAngeles, California. He has survived a rough childhood, growing up by himself in adangerous environment thanks to his love for music. He makes music in both the R&Band Rap lanes but he’s also carving a path in an entirely new genre that he createdhimself. The name of the genre is “Soulflow,” and it blends elements from Soul, R&Band Rap. By taking strategic elements from each of these genres, he’s able to craft melodic flowsthat seamlessly float between both rapping and singing with emotional weight anddepth. His latest single, titled “Feel Rick Ross,” features Rick Ross and finds Win in therap lane but he has more in store.Win’s single “Feel Rick Ross” features a braggadocious verse from the legendary Miamirapper which pairs well with the confident and upbeat production. Win’s goal was tomake people feel motivated and energetic with the song. However, his verse offerssomething more layered.Throughout his verse, he calls out the behavior of rappers who lack authenticity while also asserting his own rap skills. Writing this verse for the track was not a challenge for Win.“I just hear the beat and the rhythm and then write the lyrics.” he said.While this single showcases Win’s rapping abilities, he prefers singing.“I prefer R&B because it’s easier for me to express my feelings in that style.” he said.Before transitioning to rap, Win was doing covers of R&B and Pop songs at local showsfrom the years 2015-2017. He also was singing from ages 11 through age 15 andbegan to truly develop his abilities by himself at age 12. Even before this, he wassinging around his household at age 7 and his Mom also played R&B there.With his foundation in singing, it’s only right that Win would move on to create a newgenre entirely that combines techniques he’d been utilizing with ones he’s picked upfrom rapping. His musical talent has been a constant throughout the years of his life,even though he’s still young.Win Obami was born September 28, 2003, making him 21 years old as of today. Thefact he created a new genre at this young age is not only a testament to his musicalability but a feat that is uncommon for musically inclined people in general. Aspreviously stated, the name of the genre is “Soulflow.”“Soulflow” is defined as a “genre-defying sound that blends the heartfelt emotion andmelodic richness of classic soul and R&B vocals with the rhythmic complexity and lyricalflow of modern Rap.” However, Win did not purposely create this genre, it justhappened naturally through an AI tool analysis of his vocal style and techniques comingup with a name for it and people’s observations of his voice.“My friends and professionals in the music industry always said my voice was uniqueand different. At the same time, it didn’t fit in the traditional sound of Soul, R&B or Rap. Idecided to just combine them all.” he said.The analysis stated that Win’s vocal style in the Soulflow genre can adapt to a plethoraof production styles and reshape them emotionally. It is a genre that focuses on aconnection to the heart and the soul.The melodic aspects of Soulflow create a hypnotic and meditative feeling as the listeneris taken on the emotional journey through Win’s vocal stylings. Additionally, Win alsocreated the subgenre, “Pop Soulflow”, which takes the core elements from the genreand makes them more accessible for a wider audience through catchy melodies andupbeat pop production elements.In addition to making music, Win Obami is also the head of the music label IceyRecording. By releasing his music through this label Win maintains control of it.Interestingly enough, he wasn’t the founder of the label but took over as lead once theoriginal lead, who was also his mentor, departed.“It’s not hard to run it because I can produce my own songs myself. I’m focused onmaking the music now and will make the necessary connections for marketing next.” hesaid. Win Obami has plans to release more music this year. The music could be in the Rap orR&B lane but more than likely, he will continue to focus on the genre he created -Soulflow.“Feel Rick Ross” is available on streaming services now.You can stay up to date with all the happenings at Win Obami’s music label, IceyRecording, on these platforms.Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.
    続きを読む 一部表示
    30 分
  • Creator to Creators S7 Ep 36 Saint Tatum
    2025/06/07
    YouTube
    Spotify


    BioSanitatem is a Latin word meaning “soundness of mind.”
    Saint Tatum is a Canadian rapper making sounds for your mind.
    The connection? Saint Tatum, born Benjamin Michael Scott, borrowed from the Latin for his
    artist name, inspired by the healing positivity of the ancient term.
    At 16 years old, and having just released his first mixtape, Are You Awake Yet, he hasn’t had
    much time to build a music career. But Saint Tatum is already making his mark. His new work is
    gaining an international audience, making it clear that the sky's the limit for the young artist.
    Are You Awake is made up of six tracks that explore emotion and atmosphere. He creates in his
    garage studio using a Mac and the online digital audio workstation BandLab. While he likes the
    DAW’s interface and effects, he has also found collaborators through the platform’s interactive
    features.
    Saint Tatum’s approach to lyrics puts emotion before storytelling. “I really resonate off of
    feeling,” he says. In practice, this means a layered approach to sound, contrasting positive and
    negative voices and energies.
    While some lyrics are pre-written, like for tracks “The Mirage” and “Don’t Ask Me Why,” on
    others he takes a looser approach. “I just kinda let the bars come to me rather than overthinking
    them,” he says, describing his approach as like painting a picture.
    On the mixtape, Saint Tatum worked with YouTube beatmakers Auxiliary Beats, Vinnyx.Prod,
    2Facest, Yakinata, Goth Helma, and James J.
    The EP’s title, Are You Awake Yet, comes from a personal place of self-determination — and
    self-discovery. “I was going through a point in my life where I was… doing a bunch of not great
    things,” he says. By making a conscious decision to move away from negativity and pride, he
    was able to break out of a cycle: “I realized staying the same was wasting my time, and change
    was the only way forward.”
    This personal journey is what makes Are You Awake Yet so compelling. Even when Tatum’s
    voice is buried under layers of reverb or melted into a dreamy beat, tracks like “Love It Like
    That” pulse with vulnerability. If his music sounds like mumble rap, it’s because he wants it to —
    or, as he puts it, “mumble trap.” Artists like Lil Skies, Lil Xan, and Rae Sremmurd were major
    influences. But Saint Tatum is not copying. He’s channeling.
    “I love making people feel the same way I did when I heard some of my favorite artists,” he
    says. “That changed my life. I want to give that back.”
    Saint Tatum is completely independent — no label, no manager, no PR team — and he is
    already thinking big. He’s got an eye on the long game, and a clear sense of who he is as an
    artist. “Even if nobody listens, I’ll still be making music. Living without being who I truly am would
    take everything away from me.”
    For now, his focus is on connecting with listeners all over the world. Fans far and wide are
    responding to the positive and healing sounds in the musical paintings of Saint Tatum.
    With a new mixtape ready to drop in the coming weeks, interested listeners should follow Saint
    Tatum today. Don’t miss your chance to get an early seat on the bandwagon of this rising star.



    Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.
    続きを読む 一部表示
    35 分