A 2024 Guggenheim Fellow, Tavia Nyong’o is the William Lampson Professor of American Studies at Yale University, with award-winning books including The Amalgamation Waltz: Race, Performance, and the Ruses of Memory (University of Minnesota Press, 2009), and Afro-Fabulations: The Queer Drama of Black Life (New York University Press, 2018) . His work in critical theory and performance studies explores the intersection of history, imagination, and Black aesthetic life through the lens of performance. Tavia Nyong'o's public-facing writings have appeared in prominent publications such as Vogue, them, The Nation, n+1, Artforum, Texte Zur Kunst, Cabinet, Triple Canopy, The New Inquiry, and NPR. and has been recognized with fellowships from prestigious foundations such as the Ford Foundation and the Alexander von Humboldt Foundation. He serves on multiple editorial boards and co-edits the Sexual Cultures book series at NYU Press with Ann Pellegrini and Joshua Chambers-Letson. Currently curating public programs at the Park Avenue Armory, Nyong'o is completing groundbreaking research on topics ranging from digital technology's cultural history to racial and sexual dissidence in art and culture. In today’s conversation, we discuss his latest monograph Black Apocalypse: Afrofuturism at the End of the World (University of California Press, 2025), where he shows that the end of the world is crucial to afrofuturism and reframes the binary of afropessimism and afrofuturism to explore their similarities.

This is Fatima Seck and today’s discussion is with Dr. Danielle Roper, an assistant professor in the Department of Romance Languages and Literatures at the University of Chicago from Kingston, Jamaica. She is also the curator of the digital exhibit: Visualizing/Performing Blackness in the Afterlives of Slavery: A Caribbean Archive. She is from Kingston, Jamaica.

In this conversation, we discuss her latest monograph Hemispheric Blackface: Impersonation and Nationalist Fictions in the Americas. Dr. Roper examines blackface performance and its relationship to twentieth- and twenty-first-century nationalist fictions of mestizaje, creole nationalism, and other versions of postracialism in the Americas.

This discussion is with Amber Jamilla Musser, a professor of English and Africana studies at the CUNY Graduate Center. She writes and researches at the intersections of race, sexuality, and aesthetics. She is the author of Sensational Flesh: Race, Power, and Masochism (NYU Press, 2014), Sensual Excess: Queer Femininity and Brown Jouissance (NYU Press, 2018), and Between Shadows and Noise: Sensation, Situatedness, and the Undisciplined (Duke University Press, 2024).