FR - Nous poursuivons cette série avec l'anthropologue et musicologue, Jean Lambert. Il évoque son implication dans la publication des enregistrements du Caire sur les pas de Bernard Moussali. Il revient aussi sur les débats qui ont émaillé le Congrès dans un contexte post-ottoman, colonial et nationaliste. Il dresse enfin un bref inventaire musical du Yémen des années 1930.

EN - We continue this series with anthropologist and musicologist, Jean Lambert. He discusses his involvement in publishing the Cairo recordings, following in the footsteps of Bernard Moussali. He also looks back at the debates that punctuated the Congress in a post-Ottoman, colonial, and nationalist context. Finally, he provides a brief overview of the music of Yemen in the 1930s.

The full English translation of this episode is available on our blog page. 

TR - Bu diziye antropolog ve müzikolog Jean Lambert ile devam ediyoruz. Bernard Moussali'nin izinden giderek Kahire kayıtlarının yayınlanmasına katkısını anlatıyor. Ayrıca, Osmanlı sonrası, sömürgeci ve milliyetçi bir bağlamda Kongre'yi şekillendiren tartışmaları da ele alıyor. Son olarak, 1930'larda Yemen müziğine kısa bir genel bakış sunuyor.

AR -

نواصل هذه السلسلة مع عالم الأنثروبولوجيا و الموسيقى جان لامبرت. يتحدث عن مشاركته في نشر تسجيلات القاهرة، سيرًا على خطى برنارد موسالي. كما يسترجع النقاشات التي دارت في المؤتمر في سياق ما بعد العثماني والاستعماري والقومي. وأخيرًا، يقدم لمحة موجزة عن الموسيقى اليمنية في ثلاثينيات القرن العشرين.

Credits: 

Farid Ghrich: Interviews and production. (Beyond 1932 research project ) https://1932muscon.kcl.ac.uk 

Hossam Fazulla: Visuals and post-production (Digital artist & podcaster, London) https://www.boslaarts.com 

Faris Badarni: Jingle courtesy of his jazzy cover of Bint Shalabiya بنت الشلبية (Pianist, composer & producer, Munich) https://www.faris-badarni.com 

Bibliothèque nationale de France (BnF): Authorisation for free use of sound recordings from the Cairo Congress as part of a joint partnership. https://www.bnf.fr/fr