Host Barnaby Ellison Thatch examines how Victorian and Edwardian freak shows functioned as classification systems, sorting performers into "born freaks," "exotic freaks," and "self-made freaks." This episode explores how these exhibitions manufactured normalcy by displaying its opposite, revealing parallels between 19th-century spectacle and modern body politics while highlighting performer agency.
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This content was created in partnership and with the help of Artificial Intelligence AI
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