David and Elysia work through their own and the community's mixed-but-leaning-positive feelings about Steven Spielberg's new alien-focused movie Disclosure Day (currently in theaters). They get into the greatest cinematic moments, the cast and performance(s) they loved best, and (yes) the lore holes nagging at them after the fact – and why this film is worth seeing in theaters, and even if it engages the heart more than your critical thinking skills.

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David, Lisa, and Bryan conclude their Gene Hackman coverage with a deep dive into The Conversation, Francis Ford Coppola's 1974 psychological thriller and the film chosen by community vote. The trio explores Gene Hackman's portrayal of Harry Caul, a surveillance expert whose paranoia, guilt, and isolation unravel him as he becomes convinced his latest recording may lead to a murder. The conversation covers the film's remarkable production history as Coppola's decade-long passion project made between the two Godfather films, its uncanny resonance with the Watergate scandal, and the contributions of editor and sound designer Walter Murch and composer David Shire, whose manipulated piano score mirrors Harry's own distorted perception of reality. From the iconic Union Square opening shot to the film's deliberately unresolved ambiguities, the hosts examine how a 50-year-old film about eavesdropping and the power of information remains strikingly relevant in an era of digital surveillance and post-truth uncertainty.

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Any opinions stated are ours personally and do not reflect the opinion of or belong to any employers or other entities.

David and Elysia venture into the Horror Hounds to discuss Backrooms (2026), A24's creepypasta-turned-feature film directed by Kane Parsons and starring Chiwetel Ejiofor and Renate Reinsve. They trace the film's remarkable origin — from an anonymous 2019 post on 4chan to Kane Pixels' three-year YouTube web series — and unpack how a 19-year-old first-time director delivered a confident, visually stunning film on a $10M budget with a 14X box office return. The conversation digs into the film's rich thematic layers, including the backrooms as a Jungian mirror of shared anxiety and mental illness, the AI-as-mimicry subtext, the literary connection to Charlotte Perkins Gilman's The Yellow Wallpaper, the psychological character studies of Mary and Clark, and what this film signals about a new generation of internet-native storytellers reshaping the horror genre.

Contact Us Questions or comments? Send emails to: lorehounds@thelorehounds.com

Or, send us a voicemail! You can use the voicemail tool on our website, thelorehounds.com/contact OR record a note on your smartphone and email it to us at the same address.

Links to Patreon, Supercast, Discord, and Network Affiliates https://linktr.ee/thelorehounds

Any opinions stated are ours personally and do not reflect the opinion of or belong to any employers or other entities.