In this introductory episode we lay out the episodes of this season of the Body of Work podcast, and take the opportunity to speak with Delphine Hesters, coordinator of dance heritage at STUK.

Sound featured in the episode: Stage recordings from Bartók / Beethoven / Schönberg, by Rosas/Anne Teresa De Keersmaeker, recorded by Olivia Rochette and Gerard-Jan Claes. Music: Grosse Fuge, op.133, by Ludwig van Beethoven, played live by Ictus — Field recordings from THE DOG DAYS ARE OVER 2.0 rehearsals, by Katharina Smets — Live sound from Out of Context – For Pina, by Alain Platel. Music: Sam Serruys, featuring the voices of the cast. Recorded by Beeldstorm, March 2023 — Theme music composed by Inne Eysermans.

Voices of: Delphine Hesters, Naomi Gibson, Laura Maria Poletti, Clinton Stringer, Jacob Storer, Ross McCormack, Tale Dolven, Timmy De Laet, Madeline Ritter.

Narration: Tessa Hall

THE DOG DAYS ARE OVER, by Jan Martens, premiered in 2014. Now, 11 years later, this complex and exhausting choreography has returned to the stage as THE DOG DAYS ARE OVER 2.0.

During the final month of rehearsals before the premiere, we went into the studio to meet the people behind this revival. We hear what it takes to pass on this highly demanding work - from the new cast of dancers, to rehearsal directors who were members of the original cast, to health professionals providing physical support and Jan Martens himself. What is it like to shift from being on-stage as a dancer to off-stage as a transmitter? How do the dancers manage their energy in these final intensive rehearsals? What has been learnt from the time of the creation and first years of touring that can be built on this time?

Sound featured in the episode: Field recordings by Katharina Smets — Theme music composed by Inne Eysermans.
Voices of: Jan Martens, Steven Michel, Naomi Gibson, Elisha Mercelina, Dan Mussett, Jim Buskens, Stijn Vandenbroucke, Loes Meulemans.

Interviews: Katharina Smets

Narration: Tessa Hall

Rosas, the dance company of Anne Teresa De Keersmaeker, has developed an extensive and diverse repertoire over the years. This means that Rosas provides a rich case study to explore questions of repertory. We can examine the various roles in the repertory field: from original to new cast member, from rehearsal director to repertory teacher. We can unpack the different approaches to transmission used in restagings and recreations, and in schools. Most of all, by talking to those busy in the studio and on the stage, we can hear what it’s like to dig into the layers of time and the different iterations of multiple performers. We hear what it takes to keep dance repertoire vibrant, evening after evening; to dance other people’s roles, yet always being yourself.

Laura Maria Poletti, Clinton Stringer and Jacob Storer generously contemplate their approaches to repertory by sharing their stories and perspectives - from joys to complexities, questions to solutions.

Sound featured in the episode: Stage recordings from performances by Rosas/Anne Teresa De Keersmaeker, recorded by Olivia Rochette and Gerard-Jan Claes: Bartók / Beethoven / Schönberg. Music: Grosse Fuge, op.133, by Ludwig van Beethoven, played live by Ictus — Drumming. Music: Drumming, by Steve Reich, played live by Ictus — The Song — Come Out, by Steve Reich (Nonesuch Records) — Theme music composed by Inne Eysermans.

Voices of: Laura Maria Poletti, Clinton Stringer, Jacob Storer

Interviews and narration: Tessa Hall