An experimental narrative about going to a wedding, not being able to sleep at night, meeting a girl, the healthcare system and the history of disease. Breathe in, breathe out. Breathe in, breathe out. A pale horse looking back at us, it is the strong contagion.

Featuring the voice talents of Eric S. Humphrey, Peter Rosenbloom, Brian Taylor, and Jenny Walters. Engineered by Philip von zweck. Written, composed and produced by John Wanzel. Executive producers Philip von Zweck and John Wanzel.

I’ve never been to Philadelphia; it’ll be alright originally aired on August 1, 2004 live to air on WLUW 88.7 Chicago.

Blind Spot (2004-2006): a weekly live experimental radio program exploring sound collage, performance, music, improvisation, and field recordings as a broadcast form.

Two voices recount the stories of Sisyphus and Prometheus, again and again, circling the circular stories with shifts in emphasis, detail, and tone. In these first person accounts, Sisyphus delivers an impassioned account of his endless labor, pushing the boulder uphill, feeling the strain and repetition in his body, while Prometheus speaks with a measured detachment, almost bored by the familiarity of his perpetual punishment. Cello and tuba provide a slow, resonant accompaniment.

Featuring the voices of Eric S. Humphrey and Thom Baily, improvised cello by Peter Rosenbloom and tuba by John Wanzel. Conceived and produced by Philip von Zweck. Executive producers Philip von Zweck and John Wanzel.

Sisyphus v Prometheus originally aired on July 25, 2004 live to air on WLUW 88.7 Chicago.

Blind Spot (2004-2006): a weekly live experimental radio program exploring sound collage, performance, music, improvisation, and field recordings as a broadcast form.

A game show set in a futuristic version of 1982, in which the contestants are robots and their very lives are on the line. A satire of reality television and neo-futurist comedy, the program imagines a world in which the robot population has grown so large that the only way to reduce their numbers is to make them fight for survival as public entertainment.

Human listeners deciding who lives and who is decommissioned!

Among the contestants: a Wild West cowboy who was once a missile defense robot; a meticulous automaton who dreams of long walks on the beach between filing and collating; Ulton—part comedian, part killer—and many more.

Conceived and written by Thom Baily. Performed with improvisation by Peter Rosenbloom, Chris Hammes, Philip von Zweck, Joe Sterns, Thom Baily, and Eric Humphrey. Engineered by John Wanzel. Sound design and produced by Thom Baily. Executive produced by Philip von Zweck and John Wanzel.

Hour of the Robots originally aired on July 18, 2004 live to air on WLUW 88.7 Chicago.

Blind Spot (2004-2006): a weekly live experimental radio program exploring sound collage, performance, music, improvisation, and field recordings as a broadcast form.

From the mind of Dan Gleason, a variety show, featuring a cast of hundreds. Sort of.

We do not have record of all of the people who work on this producitons. The program was mixed by Michael Wolf. Written and produced by Dan Gleason. Executive producers Philip von Zweck and John Wanzel.

The Big Time Happy Fun Show originally aired on July 11, 2004 live to air on WLUW 88.7 Chicago.

Blind Spot (2004-2006): a weekly live experimental radio program exploring sound collage, performance, music, improvisation, and field recordings as a broadcast form.

Two average Americans talking politics on the fourth of July. Featuring the opinions of Justin Flemming and Eric S. Humphery. Mixed by John Wanzel and Philp von Zweck.

Produced by Eric Humphrey, Philip von Zweck and John Wanzel. Executive producers Philip von Zweck and John Wanzel.

GODBLESSAMERICA originally aired on July 4, 2004 live to air on WLUW 88.7 Chicago.

Blind Spot (2004-2006): a weekly live experimental radio program exploring sound collage, performance, music, improvisation, and field recordings as a broadcast form.

In the weeks leading up to the broadcast, bingo cards were distributed throughout Chicago. During the broadcast we call live games over the air to the broadcast area. Waiting for callers to call into the station to say BINGO! and claim prizes.

Featuring Jenny Walters, Eric S. Humphrey, Peter Rosenbloom, Brian Taylor, and Jesse Wyss. Engineered by John Wanzel. Produced by Philip von Zweck. Executive producers Philip von Zweck and John Wanzel.

Radio Bingo originally aired on June 13, 2004 live to air on WLUW 88.7 Chicago.

Blind Spot (2004-2006): a weekly live experimental radio program exploring sound collage, performance, music, improvisation, and field recordings as a broadcast form.

On the 60th anniversary of D-Day, Blind Spot presents a condensed reenactment of June 6, 1944. Within a dense fog, a mournful cello begins to play as gunfire erupts between two armies: one advancing in amphibious vehicles, the other entrenched along the continent.

D_DAY60 is part personal story of family memory and World War II, part immersion in the theatrical moments of invasion: You move. You fire. He fires. You move. You fire. He fires. Then you both wait. You look down. Your hands are trembling. We both sing, trying to escape the sounds of war. The liberation of has Europe began.

Featuring the voices of Brian Taylor and John Wanzel. Accompanied by Peter Rosenbloom on cello and Jacob Christopher Hammes on computer. Engineered by Philip von Zweck. Written and composed by John Wanzel. Executive producers Philip von Zweck and John Wanzel.

D_DAY60 originally aired on June 6, 2004 live to air on WLUW 88.7 Chicago.

Blind Spot (2004-2006): a weekly live experimental radio program exploring sound collage, performance, music, improvisation, and field recordings as a broadcast form.