Biography Flash: Kim Petras Defends Pop Collabs While Launching Raw Club Era with New Singles
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Biography Flash: Kim Petras Defends Pop Collabs While Launching Raw Club Era with New Singles
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Kim Petras has spent the past few days doing what she does best, turning controversy and club culture into a long game for her legacy. In a new wave of coverage led by People magazine and echoed by outlets like AOL and MyKissRadio, she has been pushing back hard on fan accusations that she has sold out by collaborating with big-name artists. According to People, Kim says those glossy, sometimes “tacky” pop collabs with the likes of Nicki Minaj on Alone and David Guetta on When We Were Young were calculated moves to buy herself full creative freedom for her next era, not a surrender of her artistic identity. She frames it as a double standard, pointing out that any artist would jump at a Nicki feature, and insists she refuses to apologize for loving high-camp pop.
That defiance ties directly into the rollout of her current singles Polo, Freak It, and I Like Ur Look, which multiple outlets describe as the opening shots of a new, more hands-on era. OUTinPerth notes that for the first time she is stepping in as a co producer on tracks like I Like Ur Look and publicly linking this creative shift to a major behind the scenes reset, including dumping her former management and rebuilding how she makes records. She has reassured fans in recent interviews that a full album is on the way and that this project will be more personal, more club driven, and less filtered through label expectations.
AOL and People also spotlight her recent Freak It video, which she shot during a real night out in Paris at Les Bains, partying with friends until six in the morning to capture the chaotic, queer club energy she says she wants to return to. That decision, along with repeated comments about wanting to make gay club music for the spaces she actually goes to now, suggests a deliberate repositioning back toward the underground sounds and communities that first embraced her. All of this is unfolding against the still significant backdrop of her 2023 Grammy win for Unholy and the release of Feed the Beast and Problématique, meaning every move in the past few days is being read as a potential turning point in her long term artistic story rather than just another single cycle. No major scandals or confirmed new business deals have broken in the last 24 hours, and any rumors about surprise collaborations or secret projects remain unverified at this time.
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