So Billy Schenck and I have been working on a two year project. It's a retrospective, a 55-year retrospective, and we did a catalog. This podcast was filmed a year ago at Billy's studio where we talked about this project at length.

Now, you get to actually see what we've been working on. To put all this effort in and to get to see them all together is exceptionally gratifying. I'm sure it's gratifying for Bill because this is a big deal, but it's a big deal for me too.

On top of all of his important works that make up the museum show, Billy has has been putting away new works for two years for this show. Large format photographic prints that have never been shown before, as well as some of his caption pieces and a beautiful group of his landscapes.

It was quite interesting to try to set this up because we're looking at his life's work (his serigraphs and foundational paintings) in combination with the result of a life of working on art (his newest body of work). The museum show has a good portion of his serigraphs paired with his early paintings. Trying to figure out that balance from a curatorial standpoint was an interesting experience.

If you're listening to the podcast, go to YouTube, go check out the show, not only the gallery show, but the museum show. We have included a preview of the show in this version of episode 377 of the Art Dealer Diaries Podcast.

So this podcast that you're listening to is the culmination of all the work that we did over the last two years to get to this point. It was an exercise in storytelling, telling the Billy Schenck story, and I think we've done a beautiful job of it.