Visuals: https://getbehindthebillboard.com/episode-107-alice-goodrich

Episode #107 features the wonderful, multi-talented Alice Goodrich from VCCP.

We spent a lovely hour discussing Alice’s county-level tennis career, her time as a Dior makeup artist, her stint as an internal comms assistant for the British Army and how she served as a stand-in for Gary Barlow of Take That.

And incredibly, we found time to discuss her brilliant advertising career :-)

We talked at length about Cadbury’s Dairy Milk "Made to Share" campaign which is a huge favourite of ours.

The campaign, which Alice wrote with Tom Lee, has won gongs galore and is currently running in your local super market. Just head for the choccy section, like Hugh did before the show, to see headlines on bars which double as mini billboards, the wrappers telling stories of everyday life where generous souls are deemed worthy of the largest share of the chocolate.

At a basic level, it’s a pack shot with a few words on, but once you start reading, you get pulled in. It’s incredibly engaging, satisfying, more-ish … much like the chocolate inside.

It feels redolent of the first Uncommon BA campaign (500+ executions) in that you just want to see more, being rewarded over and over with great writing. Other brands, clients and members of the public (and this podcast) have started doing their own versions of the wrappers. Once your idea has gone into modern culture, you know you’re onto a winner.

Huge congratulations to all involved at VCCP, and the team at BulletProof design.

We also managed to squeeze in: Bournville, Johnnie Blonde, Dua Lipa, Alice’s Dad, Tony Cullingham, Watford College, Wimbledon, Pavement art, Cannes Lions and a few tasty flapjacks.

Thanks so much Alice, for so much!

Thanks also to Jon for the edit, Adrian and all the gang at Soho Radio and of course huge gratitude to all our sponsors, who make the show possible:

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Visuals: https://getbehindthebillboard.com/episode-106-franki-goodwin

Episode #106 features the brilliant Franki Goodwin, Chief Creative Officer of Saatchi & Saatchi, London. And is hands down one of our favourite episodes yet.

Hugely talented, humble, funny, smart, generous, collaborative and many other things, Franki was ace.

We started with British Heart Foundation and discovered how the footy murals campaign came about, which in itself is a great story, esp the casting for the huge wall paintings, which had to come from photos from the families and then brought to life in sensitive but photo realistic fashion by Global Street Art. Then there was ‘Benches’ the follow up campaign, which came from a placement team who went on to see their idea come to life across the country in the form of 65 benches to commemorate those still living, thanks to BHF. The work earned the team their first job at Saacthi’s. Congratulations Lucy Norie & Hannah Underwood. That is an amazing achievement. Nothing is impossible indeed.

We found out who really has got the biggest (meat) balls on Oxford St.

We discovered that Franki loves pumping tonnes of magenta paint all over buildings in Germany for T-Mobile.

We also talked about Western Edge Pictures - Franki’s film production company and how hard it is to make movie posters with no budget. And what it’s like to work for Mike Figgis in Venice making a live website, while hanging out with Salma Hayek.

Thank you Franki, so much for coming on and brightening our day, sorry for the croaky voice. Please come back on again soon.

Thanks also to Adrian at Soho Radio, Jon for the edit and our regular sponsors, who make the show possible:

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Visuals: https://getbehindthebillboard.com/episode-105-yohan-daver

This Friday sees the last in our New York specials and we’re finishing with a cracker, Yohan Daver, ECD at at BBH, USA

Yohan started his career in India, at BBDO and then BBH, before continuing his journey with the black sheep to LA and now BBH New York. Yohan’s work has been recognised at every major awards show, winning big at Cannes, D&AD, The One Show, and the Clios.

We discussed some of his very best campaigns, starting with Netflix’s Squid Game: The Challenge, a genuinely intriguing, funny and superbly on-brand campaign that questioned the morals of New Yorkers and what they would do for money.

Next we covered the ‘Black-owned Friday Every Day’ initiative for Google in partnership with the U.S. Black Chambers, Inc. to reframe the busiest shopping day of the year as a celebration of Black-owned businesses.

We did a quick bit of Heineken, before finishing on Dunkin’ at Home which we’ve loved ever since we saw it last year. It is the epitome of great OOH, fantastic idea, brilliantly executed. Yohan gave us the story behind the idea which is not to be missed. Then we chatted about the beautifully crafted execution. It deservedly won our International Poster of the year and we imagine it will clean up in the awards shows later this year.

Thanks again Yohan for coming on. A great end to a fun week.

Huge thanks once again to Joe at Rockefeller Center's Newsstand Studios for making us sound (semi)professional. Thanks also to our all our guests both in the studio and at AdFest, you were all amazing. Kudos as ever to Jon for the edits. Gas for the music. And the good people of New York who made us feel so welcome. V much hoping to return. BTB ❤️ NYC

And as ever, huge thanks to all our sponsors, who make the show possible:

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