Send us Fan Mail

My guest today is Nancy Burkhalter, author of The Education of Delhomme, listed in the Music category on Art In Fiction.

Watch on YouTube: https://youtu.be/RNohgRLMv4c

• Why Chopin needed a piano tuner: how Nancy, tuning pianos herself while listening to Chopin, realized he "had to have" one, and that's how the novel's narrator, Delhomme, was born.
• Blending fact and fiction: the wall-sized timeline, real history on top, novel's action below, that kept Delhomme's Paris anchored to the actual events of 1848 without letting fiction outrun fact.
• A poor man's bargain: why Delhomme, broke and desperate, falls prey to Vidocq, the monarchy's real-life spymaster, and agrees to spy on George Sand, the very woman he ends up competing with for Chopin's attention.
• Writing an unsympathetic narrator: Nancy's surprise at hearing Delhomme called an anti-hero, and why she never saw him that way, just a man doing what he had to do.
• Falling out of love with George Sand, then back in: how Nancy resented Sand for leaving Chopin, until a visit to Sand's home at Nohant, complete with a puppet theater Sand built for her son, turned her around, and why she gave Sand her own voice through diary entries woven into the book.
• Tuning by ear, writing by feel: what years as a working piano tuner taught her about touch and temperament, and how much of that craft to hand readers without losing them.
• The piano as character: why the instruments in the novel feel like living things, wood that expands and contracts, vulnerable to a fireplace or a spilled glass of wine, and how a tuner's instincts shaped Delhomme's reactions to Chopin's world.
• Finding Chopin's real tuner: a thin, out-of-print book written by the daughter of Chopin's actual piano tuner, discovered by chance in a University of Washington library.
• Vidocq, the spy who wrote himself: how the real historical spymaster, found in a reference book called Spies, handed Nancy a ready-made thriller plot, con-man origins and all, that she couldn't have invented herself.
• What's next: a novel about Franz Mesmer and his quest for medical legitimacy, and a subplot inspired by Nancy's own grandmother's history with mental illness.
• Reading from The Education of Delhomme: the Jardin des Tuileries scene where Delhomme meets George Sand for the first time and stews in jealousy as Chopin describes a ruined Bösendorfer and his plan to give Sand a prized ring.
• What Nancy learned: how a two-year manuscript completion class taught her to find the goal of every scene, why she still doesn't outline, and her advice to track down living historical experts, since "they love it" when a novelist calls.

Read more about Nancy Burkhalter on her website: https://www.nancyburkhalter.com/

Are you enjoying The Art In Fiction Podcast? Consider giving us a small donation so we can continue bringing you interviews with your favorite arts-inspired novelists. Click this link to donate: https://ko-fi.com/artinfiction.

Also, check out Art In Fiction at https://www.artinfiction.com and explore 2500+ novels inspired by the arts in 11 categories: Architecture, Dance, Decorative Arts, Film, Literature, Music, Photography, Textile Arts, Theater, Visual Arts, & Other.

Want to learn more about Carol Cram, the host of The Art In Fiction Podcast? She's the author of several award-winning novels, including The Towers of Tuscany, A Woman of Note, The Muse of Fire, and The Choir. Check out her website...

Send us Fan Mail

My guest today is Lynn Cullen, author of When We Were Brilliant, listed in the Photography and Film categories on Art In Fiction.

Watch on YouTube: https://youtu.be/86MVn-3LjhY

• Eve Arnold, the only woman Marilyn Monroe ever let photograph her: who she was, why Lynn had never heard of her either, and the shock of discovering that among all of Marilyn's photographers, there were no other women.
• Using Eve's own coffee table book on Marilyn as the novel's framework: six photo shoots over ten years, with scenes built around individual photographs, including the famous mirror shot.
• The ghost of Marilyn: standing on the actual Seven Year Itch subway grate in New York on a windless night when Lynn's coat suddenly swirled up around her, and how that moment made her feel responsible for getting Marilyn right.
• Why Marilyn sought Eve out, never the reverse: Lynn's hypothesis that Marilyn trusted Eve and wanted Norma Jean to get some credit, showing up for Eve's camera looking nothing like the bombshell the world knew.
• Reclaiming Marilyn from the victim narrative: a self-made, intelligent woman with real agency whom the studios fought because she had power, and why the "Hollywood made you and broke you" line from Candle in the Wind is exactly what Eve set out to correct.
• The verdict of Eve's grandson Michael Arnold: "You so captured my grandmother," and how Lynn ended up at the National Portrait Gallery's Marilyn centenary exhibition with him.
• The accidental second person: how a "mistake" at page 60, with Eve addressing Marilyn as "you," revealed the book as Eve's love letter and apology, despite Lynn resisting it at first.
• Photography as relationship: what Lynn learned about portrait photography, what a subject gives each photographer, and why Eve never had a subject like Marilyn again.
• The perennial choice women face: Eve's struggle as a working mother traveling the world as a top photographer.
• Setting the record straight on Marilyn's death at 36: an accidental overdose by a woman who had gone furniture shopping that day and had plans for plays and movies.
• Reading from When We Were Brilliant: the chaotic beach scene where Eve first meets Marilyn, a Botticelli Venus in a white bikini and army boots descending a cliff into a feeding frenzy of gawkers.
• What Lynn learned: to let the novel speak, even when the story demands a choice you resisted, and that eight books in, you still need beginner's mind.

Read more about Lynn Cullen on her website: https://lynncullen.com/

Are you enjoying The Art In Fiction Podcast? Consider giving us a small donation so we can continue bringing you interviews with your favorite arts-inspired novelists. Click this link to donate: https://ko-fi.com/artinfiction.

Also, check out Art In Fiction at https://www.artinfiction.com and explore 2500+ novels inspired by the arts in 11 categories: Architecture, Dance, Decorative Arts, Film, Literature, Music, Photography, Textile Arts, Theater, Visual Arts, & Other.

Want to learn more about Carol Cram, the host of The Art In Fiction Podcast? She's the author of several award-winning novels, including The Towers of Tuscany, A Woman of Note, The Muse of Fire, and The Choir. Check out her website...

Send us Fan Mail

My guest today is Kate Whouley, author of The Maestro and Her Protégé, listed in the Music category on Art In Fiction.

Watch on YouTube: https://youtu.be/Fr_fJ9t9G_o

• Nadia Boulanger, the most influential music teacher of the 20th century: who she was, why she matters, and how Kate first encountered her by way of her terrifying theory professor when she was a music student.
• Inventing Hannah Schaefer, a fictional conductor who studies with the very real Boulanger, Leonard Bernstein, and Philip Glass.
• The demanding mentorship paradox: why Boulanger's near-dictatorial teaching style was exactly what Hannah needed, and when that kind of discipline helps versus harms.
• Women on the podium: why female conductors are rare even today, and what it feels like to be at the top of your game and still have to fight battles a man in the same position wouldn't.
• Structuring a novel like a musical composition: Overture, Reverie, Rhapsody, and Coda, and why Kate ultimately let go of strict sonata form.
• What women give up: Hannah's choice to be married to music, Boulanger's infamous black-edged sympathy cards sent to promising students who married, and the question Hannah faces at 58: could there be more?
• Grief as artistic processing: the cluster of losses Hannah suffers, how she writes pieces for the dead rather than mourning them, and why that catches up with her.
• Paris as a character: ten years of research trips, sobbing at Boulanger's grave in Montparnasse, and the moment Kate threw out her draft and understood the real story.
• From memoir to fiction and back: how writing Cottage for Sale and Remembering the Music, Forgetting the Words, her memoir about her mother's early-onset Alzheimer's, shaped her approach to the novel.
• Reading from The Maestro and Her Protégé.
• What Kate learned: that it's okay to follow the characters, that every word must have a reason to exist (Boulanger again), and that some books like to be written late at night.

Read more about Kate Whouley on her website: https://katewhouley.com/

Are you enjoying The Art In Fiction Podcast? Consider giving us a small donation so we can continue bringing you interviews with your favorite arts-inspired novelists. Click this link to donate: https://ko-fi.com/artinfiction.

Also, check out Art In Fiction at https://www.artinfiction.com and explore 2500+ novels inspired by the arts in 11 categories: Architecture, Dance, Decorative Arts, Film, Literature, Music, Photography, Textile Arts, Theater, Visual Arts, & Other.

Want to learn more about Carol Cram, the host of The Art In Fiction Podcast? She's the author of several award-winning novels, including The Towers of Tuscany, A Woman of Note, The Muse of Fire, and The Choir. Check out her website...