There is a new jazz record of note on the scene created by Rin Seo, a Korea- born composer/conductor, titled ‘City Suite,’ released on the Cellar Music Group record label.

Rin was raised in a rich musical environment encompassing Western classical, Theater, and Korean folk music, but her work and life is now fully committed to jazz. This debut album is a remarkable musical journey for Rin. As an immigrant, her compositions reflect her decade-long life as a New Yorker, while also honoring her Korean heritage.

My fascinating conversation with Rin picks up with her moving to New York City and the development of her debut album.

Brandon Sanders, has always cut his own unique path. Born in Kansas City but spending his formative years in Compton, Brandon grew up in a musical household. He also honed his love of Jazz at the Kansas City jazz club, Casablanca, run by his grandmother.

But first, college called. After playing basketball for a junior college near Los Angeles, he enrolled at the behest of his grandmother—actually, she did the enrolling for him—at the University of Kansas. While studying communications there, Brandon became a walk-on practice player for the top-seeded team in the country where quickly gained a reputation as a dogged defender.

After receiving his undergraduate degree in communications, and Master’s in social work at Kansas, Brandon dedicated himself to that field. But eventually his passion for music caught up with him. So, at age 25, he taught himself how to play drums, until a Kansas City drummer named Todd Strait, who used to play with Marian McPartland, took Brandon under his wing. And with years of intense practice, Brandon attained such a high level of proficiency that he was accepted at Boston’s prestigious Berklee College of Music, where he formed friendships and musical associations with future jazz greats including Warren Wolf, trumpeter Darren Barrett, and drummer Kendrick Scott. He started playing in various bands at Boston clubs including Wally’s Jazz Cafe and the Wonder Bar, gaining experience that eventually led him New York.

Now living in Brooklyn, Brandon has a third album titled “Lasting Impression,” on the heels of two critically acclaimed releases “Brandon Sanders: The Tables Will Turn,” and his first titled, “Compton’s Finest.”

In this episode, I talk with Brandon about his remarkable career trajectory, and the forming of collaborations with a stellar list of jazz all-stars to create a path to his musical success.

Roger Glenn is truly one of the most interesting people in the world of music. He is a multi-instrumentalist who has performed, recorded and toured with a Who’s Who list of Jazz and Latin Jazz luminaries.

As our conversation came to a close, it became clear that we simply could not tell Roger’s story without making it in two parts. So, Part 1 was about Roger’s backstory. To call him multi-faceted and unique is an understatement.

Interestingly, before I started production of Part 2, we had the serendipitous privilege of spending time with Roger at Keys Jazz Bistro during a quick trip to San Francisco, and it brought our Part 1 episode full circle. Meeting Roger in person proved to be everything I thought it would be. He was gracious, funny, a marvelous storyteller and thoroughly engaging - all the attributes I was delighted to experience when we recorded our interview via Zoom.

Now, in Part 2, we shift gears to talk about his latest release as a leader. The album, called ‘My Latin Heart,’ is out now on the Patois Records label. The most remarkable thing about it, besides the incredible music, is the fact that for this 80-year-old musician it is only his second album as the front man in 49 + years.