Alexandra Corrin-Tachibana on Kimiko Hahn's poem 'Compass' and her own poem "Madam Gout'
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Alexandra Corrin-Tachibana on Kimiko Hahn's poem 'Compass' and her own poem "Madam Gout'
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概要
In this episode, I talk to Alexandra Corrin-Tachibana about Kimiko Hahn’s poem ‘Compass’ and her own poem ‘Madam Gout’.
We discuss all things zuihitsu - reflecting on Kimiko Hahn’s own approach to the form and Alexandra’s inspired interpretation of this complex Japanese ‘standard’. As well as asking Alexandra about the essential qualities of the zuihitsu we talk about fragmentation, layering information, the public and the private detail. Alexandra also reflects on her own time in Japan, and from this, cogitates on Japanese influences in her own work. In zuihitsu how do we say something without actually stating it? We go on to discuss how the words, phrases, lines are laid out on the page in relation to the 'cartography of the poem.'
In the podcast, Alexandra mentions a number of times The Pillow-Book by Sei Shõnagon, a version of which can be downloaded for free on Project Gutenberg here.
Alexandra Corrin-Tachibana is a Pushcart Prize-nominated poet and author of Sing me down from the dark (Salt, 2022). She has Masters’ degrees in Writing Poetry and in Japanese Language and Culture and she lectured on the Japanese zuihitsu form at the 2024 Japan Writers Conference. Her poems have appeared in magazines such as The North, P.N. Review, Magma, Poetry Wales, The Pomegranate London, Anthropocene and The Madrid Review. This year, she was twice shortlisted for Verve’s Poem of the Month prize and commended in The Buzzword and Artemesia competitions. She is a freelance creative writing tutor, mentor and reviewer who has taught for The Poetry Business, The Poetry School and The Writing School. Alexandra’s second collection, Skinship, is due out with Salt in September 2026.
You can follow me on Bluesky - @cwjoneschris.bsky.social for more updates on future episodes. You can find out more about my own writing through my website - chris-jones.org.uk - or on my Substack Swift Diaries.
The end music was composed and played by William Jones.