『Adobe Premiere: Color Mode Makes a Huge Overhaul! (NAB 2026)』のカバーアート

Adobe Premiere: Color Mode Makes a Huge Overhaul! (NAB 2026)

Adobe Premiere: Color Mode Makes a Huge Overhaul! (NAB 2026)

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Make a Logo on Fiverr Adobe Premiere Pro is getting one of its biggest color workflow changes in years, and at NAB 2026, Adobe showed off what could be the future of color grading inside the editor. The headline feature is Color Mode, a new color-focused workspace currently in Premiere beta. Adobe says it was built from the ground up to make color correction and grading easier for video editors without requiring them to become full-time colorists. Premiere’s Color Workflow Gets Rebuilt Color Mode is designed to put the image front and center, with color tools placed directly below the viewer instead of buried in panels. The goal is to make color decisions faster and more visual while keeping the workflow inside Premiere. Rather than relying on layers of Lumetri effects, copied settings and adjustment layers, Color Mode introduces a cleaner system of adjustments, groups and sequence-level operations. Editors can apply color changes to individual clips, groups of clips or an entire sequence. A New Clip Grid for Faster Grading One of the biggest interface changes is the new clip grid. Instead of thinking only in terms of a traditional timeline, Premiere can show clips in a grid layout for color work. That makes it easier to jump between shots, compare looks and apply grades across multiple clips. The interface is also flexible. Panels can be moved and docked, giving editors room to customize the workspace around how they prefer to grade. Heads-Up Controls Make Color More Interactive Color Mode introduces a more hands-on way to adjust color. Click a control like temperature, contrast or tint, and Premiere brings up a heads-up display with the most relevant video scope for that adjustment. Instead of dragging a slider while holding the mouse button down, editors can click once and move the mouse for more precise changes. Many controls are bidirectional, so moving up and down can adjust one value while moving left and right adjusts another related setting. For example, temperature and tint can be adjusted together, helping editors fine-tune an image more naturally. Styles Are Like Supercharged Looks Adobe also showed off Styles, which act like advanced looks built from multiple modules. A style can be applied at the sequence level, instantly updating the entire clip grid. Editors can start with a preset, then open it up and fine-tune individual pieces such as film color, film emulation, contrast and other modules. Adobe described this as a way to get powerful results without needing deep technical color knowledge. Hue Shifts, Texture and Beauty Adjustments Color Mode also includes tools for changing dominant hues in an image. Premiere can show key colors from the frame, letting editors select a color and shift it directly. In the demo, changing red rims toward purple was as simple as selecting the red hue and moving the hue shift control. There are also texture and sharpness tools, which could help with beauty work or softening skin while still keeping image detail under control. Operations Replace the Old Messy Workflow Adobe refers to these color changes as operations. They can be copied, pasted, moved and organized. Operations build from left to right, making the grade easier to understand as it grows. That could be a big improvement for editors who have wrestled with adjustment layers, duplicated Lumetri effects and complicated timelines just to keep a grade consistent. What About Lumetri? Adobe says Lumetri is not disappearing from older projects. Existing projects can still be opened, and Lumetri adjustments will remain available through the Effect Controls panel. But Adobe was clear: Color Mode is the way forward for Premiere color work. Still in Beta, With More Coming Color Mode is currently in Premiere beta. Adobe said the goal is to ship it by the end of the year, while continuing to gather feedback throughout the summer. Adobe also said it worked with more than 400 editors while building the new workflow, and the company plans to keep refining it as more users test it. A Big Change for Premiere Editors For creators who edit and color in Premiere, this could be a major shift. The new premiere color mode looks more visual, more organized and more approachable than the older workflow. There will be a learning curve, especially for editors used to the current Lumetri panel. But Adobe is positioning Color Mode as a faster, more editor-friendly way to handle color correction and grading without leaving Premiere. All at Adobe.com Check out the Geekazine Merch, including "I AM AI " T-Shirt. Thanks for reading! Don't forget to subscribe to Geekazine: RSS Feed - YouTubeTwitter - Facebook Tip Me via Paypal.meSend a Tip via VenmoRSS Bandwidth by Cachefly Get a 14 Day TrialBe a Patreon: Part of the Sconnie Geek Nation! Reviews: Geekazine gets products in to review. Opinions are of Geekazine.com. Sponsored content will be labeled as such. Read all policies on the Geekazine review page. Reviews: ...
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