A Fjord-ian Slip: Edvard Munch’s The Scream as the Art History's Original Panic Attack
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A Fjord-ian Slip: Edvard Munch’s The Scream as the Art History's Original Panic Attack
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概要
In this episode we will follow Edvard Munch’s existential angst, anxiety, and the agony of modern life expressed in his iconic painting The Scream of 1893. We will discuss the torment of alienation – of existing in the world but not belonging.
We will focus on the aesthetics of self-confrontation - howMunch's choice of visual language serves as a raw, unmediated expression of his fragmented mind.
The Scream's peculiar composition, however, was not just Munch's aesthetic choice. It was a form of resilience. We will therefore analyse the 'coping mechanisms' embedded in this work of art, because I believe that by studying how Munch successfully externalised his darkest internal struggles, we can find a blueprint for navigating our own anxieties and emotional complexities in the modern world.Edvard Munch, The Scream, 1893, oil, tempera, pastel and crayon on canvas, 91x73,5cm, National Museum and Munch Museum, Oslo