Bob “Bongo” Starkie was one of Australian rock’s most colourful and enduring guitarists — a player whose sharp riffs, cheeky humour, and rhythmic pulse powered Skyhooks from Melbourne cult heroes to national icons.

Bongo's journey before, during, and after the band reflects a musician who never lost his spark. Starkie passed away on 29 November 2025, prompting an outpouring of affection from fans and fellow artists who saw him as a vital thread in the fabric of Australian music.

Growing up in Melbourne, Bob was drawn to guitar early and spent his young adulthood shaping his craft in pubs, clubs, and rehearsal rooms.

He played in a string of local outfits where he built a reputation for clean, punchy rhythm work and an upbeat stage presence. Even before he had a national profile, musicians around the city knew him as reliable, talented, and quietly charismatic — the sort of guitarist other bands wanted to poach.

Starkie joined Skyhooks in 1973, stepping into a band that would become one of Australia’s most influential rock acts.

Skyhooks arrived like a shockwave: irreverent, glammy, theatrical, and unmistakably Australian.
Bob’s guitar style became a pillar of their sound — tight, melodic, rhythmic, and full of playful swagger.

His work powered hits from Living in the ’70s and Ego Is Not a Dirty Word, including classics like “Horror Movie,” “You Just Like Me ’Cause I’m Good in Bed,” “Ego Is Not a Dirty Word,” and “Women in Uniform.”

Onstage, Bob brought a grounded confidence that balanced the band’s wilder theatrical edges. He wasn’t the loudest personality in Skyhooks, but his presence was essential — the rhythmic engine room that kept the glitter-covered chaos driving forward.

After the band’s original era wound down, Starkie remained a working musician through and through. He played in a variety of groups, collaborated widely, and stayed active across Melbourne’s music scene.

Eventually, he took on a role that fans adored: fronting Bob Starkie’s Skyhooks Show, a touring act that kept the band’s catalogue alive with humour, heart, and authenticity. Unlike a tribute act, this was the real thing — Starkie playing the music he helped make famous. Audiences loved him for it, and the shows often became celebrations shared across generations.

He also contributed frequently to interviews, documentaries, and retrospectives, offering his memories with warmth and clarity. Starkie took pride in the band’s legacy and made sure the stories — and the songs — stayed alive.

In his final years, Starkie continued performing and engaging with the music community whenever his health allowed. His death led to a wave of tributes across Australia.

Artists, fans, music journalists, and former bandmates remembered him as a generous, grounded musician who gave everything to his craft and never lost his sense of fun.

Bob “Bongo” Starkie leaves behind more than riffs and records — he leaves behind decades of memories, laughter, friendship, and the unmistakable sound of Skyhooks, a band that helped Australia find its own voice in rock ’n’ roll. From his early days in Melbourne pubs to his final shows proudly flying the Skyhooks flag, he stayed true to the music and the people who loved it.

His legacy will continue to ring out every time a Skyhooks classic blasts through a speaker.

In this episode we explore Bongo's musical life, listening to hin tell his own story, in his own words. Whether you're already familar with the band Skyhooks, or just discovering them for the first time, I'm sure you're going to enjoy hearing Bob's story.

For more information, comments or feedback, head to ny website https://www.abreathoffreshair.com.au

Gladys Knight & the Pips hold an essential place in American music history, but within the ensemble’s smooth choreography and signature harmonies, one member often stood out for his quiet consistency, unmistakable stage presence, and velvet-textured vocals: William Guest.

His contributions helped shape the unmistakable sound of the group, even if he wasn’t always the one in the spotlight.

The story begins in Atlanta, Georgia, where Gladys Knight was already turning heads with her powerhouse vocals as a child.

In 1952, after winning a televised talent competition, she joined forces with her brother Merald “Bubba” Knight and cousins Edward Patten and William Guest.

The four formed a family group called The Pips, named after another cousin, James “Pip” Woods.

Even in the early days, Guest’s natural musicality was obvious. His voice had a warm, fluid tone, and he possessed a dancer’s instinct — smooth, rhythmic, and always in total sync with the group.

Throughout the '50s and early ’60s, The Pips worked tirelessly, playing hometown shows and steadily building a reputation for their professionalism and perfectly blended harmony parts.

William was a key part of the group’s vocal chemistry. While Gladys carried the lead, it was William, Edward, and Bubba who built the lush vocal bed the group became famous for.

Their first hit, “Every Beat of My Heart,” arrived in '61 and put the group on the national radar. But the real transformation came in '66 when they signed with Motown Records.

Surrounded by giants of the era, Gladys Knight & the Pips carved out their own lane. What many don’t realise is just how physically demanding the group’s work was during the Motown years.

William wasn’t simply a backing singer — he was part of the group’s visual identity. His dance lines with Bubba and Edward became part of the group’s signature.

In '73, after moving to Buddah Records, the group hit an extraordinary creative stride. “Midnight Train to Georgia,” “Best Thing That Ever Happened to Me,” and “I’ve Got to Use My Imagination” defined an era, and William Guest was right there at the heart of it.

Behind the scenes, he was known as a gentle, steady soul — humble, thoughtful, and devoted to the craft. His professionalism was legendary: he rehearsed meticulously, respected the group’s tight vocal blend, and helped maintain the discipline that kept the band performing at an elite level for decades.

The group continued releasing hits through the ’70s and ’80s, including “Love Overboard,” which won a Grammy and introduced the group to a new generation. By the time they retired in '89, they had become one of the longest-running and most respected vocal groups in American music.

William Guest didn’t step away from music after the group’s farewell. Instead, he poured his energy into nurturing new talent.

He co-founded the Crew Records label and later the Gladys Knight & the Pips Foundation, focusing on youth development and musical education — a reflection of his belief in giving young performers the kind of opportunities he’d had as a child.

When Gladys Knight & the Pips were inducted into the Rock and Roll Hall of Fame in '96, it was a moment that finally spotlighted the collective contributions of all four members — including the man whose steady artistry helped carry the group across four decades.

William Guest passed away in 2015. His sister in law, author Lady Dhyana Ziegler spent years interviewing him and recently published his story " Midnight Train From Georgia"

It speaks of his voice, his movement, and his unwavering commitment to excellence that helped shape one of the greatest soul ensembles of all time .

Lady D joins us today to share the story of William Guest whose influence lives on in the countless R&B vocal groups who model themselves on the Pips’ precision and style today.