『9to5.cc Goes to Fantasia: Nightborn, Godhead & Ancestral Beasts』のカバーアート

9to5.cc Goes to Fantasia: Nightborn, Godhead & Ancestral Beasts

9to5.cc Goes to Fantasia: Nightborn, Godhead & Ancestral Beasts

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Sarah and I are well into the 30th edition of the Fantasia International Film Festival in Montreal. The fest runs until August 2nd, and we’re doing our best to catch as many films as possible while keeping these chats spoiler-light and pretty honest.

This time around we covered three very different movies. Sarah still refers to them as “the baby one,” “the black and white one,” and “the indigenous one,” which somehow works.

First up is Nightborn (Finnish title Yön lapsi), directed by Hanna Bergholm and starring Rupert Grint. A young couple moves into her grandmother’s old cottage in the Finnish countryside, hoping to start a family. Things get tense fast. It’s a folklore-flavored take on the “is the baby evil or is the mother losing it” setup, full of constant baby crying that acts like its own soundtrack. Super effective, really stressful, and a solid cozy-horror watch if you’re into that vibe. Easy recommend, especially once it hits Shudder.

Next is Godhead from Mark H. Rapaport (who brought HIPPO to Fantasia before). This one’s a striking black-and-white film about two eccentric twins who show up claiming to be prophets and put a priest in a brutal moral bind. The cinematography is gorgeous — every frame looks intentional. Sarah watched this one solo and had mixed feelings. She liked the setup and the look, but the dialogue and performances felt a bit theatrical and didn’t fully land for her. It’s interesting, just not a slam dunk.

Finally we get to Ancestral Beasts, the world premiere from Tim Riddell. An Indigenous woman leaves the city for her auntie’s rural cabin, looking for some peace after a family trauma. What starts as a quiet character piece slowly builds into something much more unsettling. Think generational trauma and grief given a horror twist, with strong practical effects and a slow-burn “is this real or is this her mind?” tension that pays off really well. Solid Canadian horror with a clear point of view. Worth seeking out.

We’re keeping the conversations casual — second takes, dog interruptions, and all. If you’re at Fantasia, come say hi between screenings. If you’re listening from elsewhere, throw the episode on while you plan your next watch.

More movies coming soon. Go see some Fantasia.


The Fantasia International Film Festival runs from July 16th to August 2nd 2026 at Concordia University.

The song during our intro and outro is “Until I Sleep” by Henry Homesweet and is licensed under a Attribution 2.0 UK: England License.

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