“Neopronouns and It Pronouns” with Teagan Bradway (Queer Forms and Pronouns Series)
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著者:
This conversation is part of a miniseries that accompanies my book Queer Forms and Pronouns: Gender Nonconformity in Anglophone Literature (Oxford University Press, 2026). I hope you like hearing more from your host, but not to worry: we will be back to our usual format after this one.
References:
Bradway, Teagan. "Queer Narrative Theory and the Relationality of Form." PMLA 136.5 (2021): 711-727.
Bradway, Teagan, and Elizabeth Freeman, eds. Queer Kinship: Race, Sex, Belonging, Form. Duke University Press, 2022.
Bradway, Teagan. "Introduction: Queer Metarelationality." differences 35.3 (2024): 1-13.
Bradway, Teagan. "Queer Formalism." The Palgrave Handbook of Feminist, Queer and Trans* Narrative Studies. Palgrave, 2025. 95-109.
https://teaganbradway.com/
Les Feinberg
Torrey Peters’ Stag Dance
Becky Chambers’ Monk and Robot
Octavia Butler’s Lilith’s Brood
Maia Kobabe’s Gender Queer
Diane Watt
Jack Halberstam
Dana Luciano
Mel Y. Chen
Spivak pronouns (E/em/eir)
Isaac Fellman
Andrea Gibson
Hekanaho, Laura. "A thematic analysis of attitudes towards English nonbinary pronouns." Journal of Language and Sexuality 11.2 (2022): 190-216.
Mattheis, Lena. "Nonbinary Narration." The Palgrave Handbook of Feminist, Queer and Trans* Narrative Studies. Palgrave, 2025. 25-39.
Vera Nuenning
Corinna Assmann
Questions you should be able to respond to after listening:
- What does narrative agency have to do with pronouns? How might narrative point of view affect pronouns?
- Why do we discuss genre? What could the implications of discussing pronouns in speculative fiction be?
- How can ‘it’ pronouns allow us to think about gender, personhood and humanness?
- What are Spivak pronouns? You may want to look this up as we only mention them very briefly.
- What do Lena and Teagan think about mispronouning?
- Why do we speak about pronouns as a gift that is not always easy to give? How do you feel about sharing your pronouns or learning someone else’s?
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