『The Sin Eater』のカバーアート

The Sin Eater

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期間限定:2026年5月12日(日本時間)に終了。詳細はこちら。
2026年5月12日までプレミアムプランが3か月 月額99円キャンペーン開催中。
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オーディオブック・ポッドキャスト・オリジナル作品など数十万以上の対象作品が聴き放題。
オーディオブックをお得な会員価格で購入できます。
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The Sin Eater

著者: Megan Campisi
ナレーター: Shiromi Arserio
¥980で会員登録し購入 ¥980で会員登録し購入

30日間の無料体験後は月額¥1500で自動更新します。いつでも退会できます。

30日間の無料体験後は月額¥1500で自動更新します。いつでも退会できます。

¥1,400 で購入

¥1,400 で購入

今ならプレミアムプランが3カ月 月額99円

2026年5月12日まで。4か月目以降は月額1,500円で自動更新します。

概要

Set in a thinly disguised sixteenth-century England, Megan Campisi's The Sin Eater is a wonderfully rich story of treason and treachery; of women, of power, and the strange freedom that comes from being an outcast – because, sometimes, being a nobody sometimes counts for everything . . .

'A dark and thrilling page-turner that turns a dystopian eye on the past in an unnervingly contemporary way' - Emma Donoghue, author of Room.


A Sin Eater’s duty is a necessary evil: she hears the confessions of the dying, eats their sins as a funeral rite. Stained by these sins, she is shunned and silenced, doomed to live in exile at the edge of town.

Recently orphaned May Owens is just fourteen, only concerned with where her next meal is coming from. When she’s arrested for stealing a loaf of bread, however, and subsequently sentenced to become a Sin Eater, finding food is suddenly the last of her worries.

It’s a devastating sentence, but May’s new invisibility opens new doors. And when first one then two of the Queen’s courtiers suddenly grow ill, May hears their deathbed confessions – and begins to investigate a terrible rumour that is only whispered of amid palace corridors . . .

Can you uncover the truth when you’re forbidden from speaking it?

SF ディストピア 歴史小説

批評家のレビュー

A dark and thrilling page-turner that turns a dystopian eye on the past in an unnervingly contemporary way. All hail Megan Campisi (Emma Donoghue, author of Room and The Wonder)
Rich with imaginative and historical details, The Sin Eater is ultimately a timeless story of one woman regaining her power. I loved it from beginning to end (Christina Dalcher, author of Vox)
Captivating . . . An original melding of mystery and alternate history
Richly imaginative and strikingly contemporary [and] very much reminiscent of The Handmaid’s Tale
[A] rousing, impressive debut . . . Spellbinding
Magnificent . . . Hillary Mantel’s Wolf Hall and Bring Up the Bodies brought new vividness and insight to the court of Henry VIII; in The Sin Eater, Megan Campisi brings as much or more energy to the court of Elizabeth I
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