The Last Witch on the Knock
カートのアイテムが多すぎます
ご購入は五十タイトルがカートに入っている場合のみです。
カートに追加できませんでした。
しばらく経ってから再度お試しください。
ウィッシュリストに追加できませんでした。
しばらく経ってから再度お試しください。
ほしい物リストの削除に失敗しました。
しばらく経ってから再度お試しください。
ポッドキャストのフォローに失敗しました
ポッドキャストのフォロー解除に失敗しました
30日間の無料体験を試す
期間限定
プレミアムプラン3か月 月額99円キャンペーン開催中 聴き放題対象外タイトルです。Audibleプレミアムプラン登録で、非会員価格の30％OFFで購入できます。
期間限定：2026年5月12日(日本時間)に終了。詳細はこちら。
2026年5月12日までプレミアムプランが3か月 月額99円キャンペーン開催中。
オーディオブック・ポッドキャスト・オリジナル作品など数十万以上の対象作品が聴き放題。
オーディオブックをお得な会員価格で購入できます。
会員登録は4か月目以降は月額1,500円で自動更新します。いつでも退会できます。
オーディオブック・ポッドキャスト・オリジナル作品など数十万以上の対象作品が聴き放題。
オーディオブックをお得な会員価格で購入できます。
30日間の無料体験後は月額￥1500で自動更新します。いつでも退会できます。
The Last Witch on the Knock
ナレーター：
Sara Vickers
￥3,400 で購入
-
ナレーター：
-
Sara Vickers
-
著者：
-
Aimée MacDonald
概要
'A searing debut' Sunday Times *THE POP CULTURE MOMENTS EVERYONE WILL BE TALKING ABOUT IN 2026*
The Knock hill is a carcass unintelligible as any dream.
Wouldn't you rather be a witch than a victim?
I didn't realise those were my only options.
In need of a fresh start, Thomasin leaves her toxic boyfriend, absent father and empty friendships to spend the summer in the Scottish Highlands with her eccentric Aunt Agnes and stern little cousin, Nina. But amidst the sprawling fields and ragged hills thrums a secret that has cursed the land for generations.
300 years earlier, Kate McNiven labours in The Big House by the Knock hill, wishing for a brighter future far away from the lecherous clutches of her master, the Laird. When she is exiled as a witch for refusing to succumb to his advances, Kate finds the escape she so desperately seeks in Thomasin, whose vulnerable body becomes her unwilling host.
In the thin place between centuries, through a pulsing wound that bleeds out history, the truth of the past is finally ready to be revealed . . . ©2026 Aimée MacDonald
批評家のレビュー
Tense, harsh and haunting, The Last Witch on the Knock explores toxic relationships in myriad ways. Through a blend of body horror and poetic insight, Aimée creates a compelling tale. (Lynsey May, author of WEAK TEETH)
A lyrical exploration of identity and shared trauma, reminding readers of the power of folk. MacDonald's writing is unflinchingly visceral. (Amy Twigg, author of SPOILT CREATURES)
Mesmeric from the first page. A twisting, haunting tale where the present thrums with the bloody heartbeat of the past. MacDonald's prose is poetic and sharp. (Lucy Steeds, author of THE ARTIST)
The Last Witch on the Knock does witches differently; here, a feral, intimate honesty lights the pyres. (Charlotte Tierney, author of THE CAT BRIDE)
A searing debut from the Scottish talent Aimée MacDonald. Set in the Highlands, it follows two women who are bound together by an ancient curse inspired by a local story about one of the last women burnt for witchcraft in Scotland. Whatever you do, don't turn off the lights . . .
A wildly daring debut, where past and present are skilfully twined by a fiercely unique new voice in historical horror. Alias Grace meets The Last Night in Soho. (Jessie Elland, author of THE LADIE UPSTAIRS)
I tore through this bloody, bodily book, gripped and aghast. It is poetic and shocking, and I both wanted and feared the drawing together of Thomasin, our apathetic, unmoored contemporary heroine and Kate, the wild, joyous servant girl accused of witchcraft in 1715. I loved the horrific, unholy slipping of time, the events of this novel resting on the unchangeable nature of the Scottish landscape and its historic towns. Tense and disgusting and beautiful. I loved it. (Emma van Straaten, author of THIS IMMACULATE BODY)
Reading [The Last Witch on the Knock] offers a physical experience, both horrifying and enjoyable. MacDonald is a skilled writer. She is also wonderfully funny, in that deadpan, Gen Z way. This is an unpredictable novel, full of stylistic and narrative flair. . . an extremely strong, at times mesmerising, debut. (Lucy Sweeney Byrne)
まだレビューはありません