The Inspector and Silence
An Inspector Van Veeteren Mystery
カートのアイテムが多すぎます
ご購入は五十タイトルがカートに入っている場合のみです。
カートに追加できませんでした。
しばらく経ってから再度お試しください。
ウィッシュリストに追加できませんでした。
しばらく経ってから再度お試しください。
ほしい物リストの削除に失敗しました。
しばらく経ってから再度お試しください。
ポッドキャストのフォローに失敗しました
ポッドキャストのフォロー解除に失敗しました
Audible会員プラン 無料体験
会員は、20万以上の対象作品が聴き放題
アプリならオフライン再生可能
プロの声優や俳優の朗読も楽しめる
Audibleでしか聴けない本やポッドキャストも多数
無料体験終了後は月会費1,500円。いつでも退会できます
The Inspector and Silence
ナレーター：
Simon Vance
-
ナレーター：
-
Simon Vance
このコンテンツについて
A secretive and dubious religious sect comes under investigation as one of their young members, a girl on the cusp of puberty, is found dead in the forest, brutally raped and strangled. Adopting to remain silent over the incident rather than defend themselves, the members of The Pure Life - led by their intelligent but perturbing messiah figure, Oscar Yellineck - simultaneously anger and mystify Van Veeteren and the other detectives on the case. What's more, the girl's murder was tipped off by an unidentified woman, whose role becomes doubly perplexing as a string of increasingly horrifying new crimes defies everything the police thought they knew about the case and its sequence of events.
©1997 Original material by Håkan Nesser. Originally published in Sweden as Kommissarien och tystnaden by Albert Bonniers Förlag AB, Stockholm. Translation © 2011 by Laurie Thompson. Recorded by arrangement with Pantheon, an imprint of the Knopf Publishing Group, a division of Random House, Inc. (P)2011 HighBridge Company批評家のレビュー
"The fashion for imported crime fiction is still booming with the Swede Hakan Nesser one of its most successful models." ( Literary Review)
"A satisfying novel from a rising Swedish star.... Van Veeteran [the detective], disengaged, thinking of retirement and wonderfully enigmatic, makes an enjoyable change from all those fictional police men who persist in taken their work home with disastrous consequences, and the slow pace - there's more introspection here than action - results in an intense read. ( Guardian Review)
"The atmosphere of the small town, the mysterious fringes of the forest full of aspens and blueberries, are evocatively drawn. So is that particular contribution to Sweden to crime fiction: the contrast between the light summer nights and metaphorical darkness.... The clarity of Nesser's vision, the inner problems of good and evil with which Van Veeteran struggles, recall the film of Bergman." ( The Independent)