『Tell All Your Friends』のカバーアート

Tell All Your Friends

A Cultural History of Mainstream Emo

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Tell All Your Friends

著者: Emma Garland
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Emma Garland examines the lasting impact of 2000s mainstream emo—with original interviews from members of The All-American Rejects, Say Anything, Thursday, and more.

Emo is one of the most enduring subcultures of the 21st century. It’s also one of the most maligned. The stereotypical emo kid remains fixed in the cultural consciousness as a morose teenager with a lip piercing, a fringe plastered across one eye, and Converse scribbled with song lyrics. But that’s only part of the story. With Tell All Your Friends, Emma Garland offers a long-overdue corrective.

Beyond the stereotype is a world of music and fashion whose legacy has shaped pop culture for over two decades. With sharp wit and gleeful nostalgia, Garland unpacks the way emo exploded into the mainstream in the 2000s, and everything that came with it: the looks, the sounds, the MySpace profiles, the moral panics, the complicated sexual politics, the fan fiction, the genre-bending crossovers (some more questionable than others), and more. Along the way, we see how bands like Dashboard Confessional and Jimmy Eat World made male vulnerability a marketable product; how Say Anything and Taking Back Sunday upended conversations around sex; how My Chemical Romance and The Used gave teenagers space to talk about mental health; how Paramore blasted open the door for new voices in a male-dominated space; and how modern artists ranging from Lil Uzi Vert to The 1975 draw on the legacy of emo in their sound, aesthetics, and marketing. She also examines how a genre defined largely by straight, white men has since been reclaimed by female, queer, and global audiences alike.

Featuring original interviews with members of Say Anything, The All-American Rejects, Thursday, Funeral for a Friend, Tigers Jaw, From First to Last, Sweet Pill, Los Campesinos!, and more, Tell All Your Friends reframes emo for a new era—not as a scene or a passing fad, but as an enduring communal identity.

大衆文化 社会科学 音楽
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