『Racebook』のカバーアート

Racebook

A Personal History of the Internet

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¥1,429で会員登録し購入 ¥1,330で会員登録し購入
期間限定:2025年12月1日(日本時間)に終了
2025年12月1日までプレミアムプランが3か月 月額99円キャンペーン開催中。300円分のKindle本クーポンも。 *適用条件あり。詳細はこちら
オーディオブック・ポッドキャスト・オリジナル作品など数十万以上の対象作品が聴き放題。
オーディオブックをお得な会員価格で購入できます。
会員登録は4か月目以降は月額1,500円で自動更新します。いつでも退会できます。
オーディオブック・ポッドキャスト・オリジナル作品など数十万以上の対象作品が聴き放題。
オーディオブックをお得な会員価格で購入できます。
30日間の無料体験後は月額¥1500で自動更新します。いつでも退会できます。

Racebook

著者: Tochi Onyebuchi
ナレーター: Kevin R. Free
¥1,429で会員登録し購入 ¥1,330で会員登録し購入

期間限定:2025年12月1日(日本時間)に終了

30日間の無料体験後は月額¥1500で自動更新します。いつでも退会できます。

¥1,900 で購入

¥1,900 で購入

このコンテンツについて

From the author of Hugo and NAACP Image Award finalist Riot Baby, an original memoir in essays that interrogates how identities are shaped and informed in online spaces and how the relationship between race and the internet has changed in his three decades online.

When Tochi Onyebuchi realized that his acclaimed science fiction and fantasy storytelling career had been centrally preoccupied with race, it prompted him to consider his responsibilities as a Black writer in the internet age. Excavating the internet of the late 1990s and early 2000s, Racebook explores how the writer and public intellectual Onyebuchi is today, was formed in that crucible.

Beginning with the current moment when everything, including personal identity, is a matter of dispute, and tracing his online persona in reverse chronological order back to Web 1.0’s promises of greater equality and a bright digital future, Onyebuchi deftly examines the evolution of internet culture and the ways that culture has shifted in the ensuing decades. From the ever-changing nature of personal writing and free expression, to gaming, manga, fandom, and virtual reality—Onyebuchi examines the internet alongside works of literature both classic and new, and asks if our vision for what is possible has really broadened. And given the inequities Black people are still subject to, on and off the page, does the Internet only amplify our failures of imagination?

A new, compelling investigation of race through the lens of the modern Internet age, and a profound intellectual journey in pursuit of community online, Onyebuchi argues for a liberation of the individual behind the code, ultimately asking “Is this a race book or is it not? Is it either-or? Can it be both-and? Can I?”
アフリカ系アメリカ人 エッセイ プロフェッショナル・学問 科学・テクノロジー
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