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Paper Targets
- Art Can Be Murder
- ナレーター: Steve S. Saroff
- 再生時間: 10 時間 13 分
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あらすじ・解説
Broken love. Hidden crimes.
A tale for anyone who has mistaken red flags for trail markers. Based on the events of one of the largest criminal frauds, a drifter becomes a computer hacker who falls for a displaced and dangerous artist.
Enzi is a runaway with in-demand skills. Kaori communicates with her drawings. When Kaori is involved in a shocking crime, Enzi questions everything he has ever done.
批評家のレビュー
"An astonishing novel. Highly recommended to everyone, especially those interested in noir, art, a blazing narration, and all of our deeply unsettling subconsciouses. Saroff also seems capable of laying down the perfect sentence on command." (Michael Fitzgerald, author of Radiant Days and founder of Submittable.)
“Montana Voice podcast host Saroff debuts with a novel about an enigmatic loner who attracts strange characters as he tries to do good—or repair the bad he has done. Enzi is much like Saroff: a runaway and a dyslexic who started with nothing. But he discovers a talent for—and a fascination with—math and winds up a successful computer coder with his own company. But he has come under the sway of Tommy Tsai, a very smooth and very, very bad guy, and gets drawn into cybercrime. At the same time, he posts bail for, and falls half in love with, a young woman named Kaori, an unbalanced Japanese artist prone to not just violent mood swings, but violence itself. Halfway through the novel, the Kaori story takes a back seat to Enzi’s desperate fight to break Tsai’s hold over him. It’s unwise to try to walk away from Tommy Tsai, who has murderous contacts, and true to thriller conventions, the plot involves a race against time. The story is set in Montana (mostly Missoula), and Enzi can wax eloquent about the surrounding mountains and streams. That’s one way his tale has something of the spirit of Hemingway stories like ‘Up in Michigan.’ Another is that his spare—for the most part—prose seems designed to step out of the way but is arresting in itself. But Saroff is also capable of lyric flights and striking metaphors.” (Kirkus Reviews)