Monica Jones, Philip Larkin and Me
Her Life and Long Loves
カートのアイテムが多すぎます
ご購入は五十タイトルがカートに入っている場合のみです。
カートに追加できませんでした。
しばらく経ってから再度お試しください。
ウィッシュリストに追加できませんでした。
しばらく経ってから再度お試しください。
ほしい物リストの削除に失敗しました。
しばらく経ってから再度お試しください。
ポッドキャストのフォローに失敗しました
ポッドキャストのフォロー解除に失敗しました
聴き放題対象外タイトルです。Audibleプレミアムプラン登録で、非会員価格の30％OFFで購入できます。
オーディオブック・ポッドキャスト・オリジナル作品など数十万以上の対象作品が聴き放題。
オーディオブックをお得な会員価格で購入できます。
30日間の無料体験後は月額￥1500で自動更新します。いつでも退会できます。
Monica Jones, Philip Larkin and Me
ナレーター：
John Sutherland, Richard Burnip
￥2,700 で購入
-
ナレーター：
-
John Sutherland
-
Richard Burnip
-
著者：
-
John Sutherland
このコンテンツについて
'Eye-opening... in this account [Monica Jones] comes alive.' The Sunday Times
Monica Jones was Philip Larkin's partner for more than four decades, and was arguably the most important woman in his life. She was cruelly immortalised as Margaret Peel in Kingsley Amis's Lucky Jim and widely vilified for destroying Larkin's diaries and works in progress after his death. She was opinionated and outspoken, widely disliked by his friends and Philip himself was routinely unfaithful to her. But Monica Jones was also a brilliant academic and an inspiring teacher in her own right. She wrote more than 2,000 letters to Larkin, and he in turn poured out his heart to her.
In this revealing biography John Sutherland explores the question: who was the real Monica? The calm and collected friend and teacher? The witty conversationalist and inspirational lecturer? Or the private Monica, writing desperate, sometimes furious, occasionally libellous, drunken letters to the only man, to the absent man, whom she could love? Was Monica's life - one of total sacrifice to a great poet - worthwhile? Through his careful reading of Monica's never-before-seen letters, and his own recollections, John Sutherland shows us a new side to Larkin's story, and allows Monica to finally step out from behind the poet's shadow.
批評家のレビュー
One of the most brilliant biographies I have read - an extraordinary achievement - brings Monica to life as she deserves, and not only for what she did for Larkin and his work, but also her teaching skills. It makes me wish I could have heard her lecture.
I couldn't put it down. Vivid and penetrating, it's a brilliant portrait of a confounding, complex woman which will be indispensable to anyone interested in Philip Larkin. The fact that John Sutherland knew Monica Jones enables him to bring not only his scholarship but his uniquely wry observation to his subject. It's a tremendous book.
If you buy only one biography this year, make it this one. What makes this biography so special is that it not only gets to the beating heart of Monica Jones, but it uncovers the true ruthlessness of Philip Larkin. Beautifully crafted, beautifully written, it is a joy to read.
Eye-opening... in this account [Monica Jones] comes alive.
Who would have thought that the life of Monica Jones, an unpublished and under-promoted lecturer in the English department at University College, Leicester, would prove to be such a page-turner? We all knew that she was Philip Larkin's long-term lover, and we thought we knew that she was reactionary, racist, homophobic, awkward, hysterical and dowdy. How wrong we were, how wrong. John Sutherland has set up a counter-narrative that keeps us guessing, as he himself has been kept guessing by this strange woman whom in some ways he knew so well, and in other ways, as he speculates, not at all. This memoir is his tribute to Miss Jones, and he shows her to us in her powerful prime. It is a story as full of surprises as many a novel, and a story that only he could tell (Margaret Drabble)
Reading this book, it is hard to avoid the conclusion that Larkin slowly destroyed Jones's life... Sutherland has written a bleak but convincing book... But Philip Larkin, Monica Jones and Me is also an essay in the banality of despair. Sutherland shows how a life can be ruined amid quite ordinary things like The Archers and cricket matches and outings to cathedral cities and English summer days. Ironically, this was something Larkin understood better and wrote about more feelingly than any English poet who has yet lived (James Marriott)
[Monica Jones, Philip Larkin and Me] has a compelling flow of strong feeling and a touching sense of intimate connection . . . But Sutherland and Jones were never intimate or confiding - which means that the darkest revelations of her correspondence seem all the more shocking, to him first, and now to us . . . Larkin had managed to live pretty much how he wanted all along. Sutherland's book adds substance to the story of these wants, and some detail to the prejudices that accompanied them, and in this and other respects it's valuable (Andrew Motion)
まだレビューはありません