『I, Vera: The Many Lives of Vera Gedroits, a Radical Princess』のカバーアート

I, Vera: The Many Lives of Vera Gedroits, a Radical Princess

The Many Lives of Vera Gedroits, a Radical Princess

聴き放題対象外タイトルです。プレミアム会員登録で、非会員価格の30%OFFで予約注文できます。聴けるのは配信日からとなります。

プレミアムプランを無料で試す
オーディオブック・ポッドキャスト・オリジナル作品など数十万以上の対象作品が聴き放題。
オーディオブックをお得な会員価格で購入できます。
30日間の無料体験後は月額¥1500で自動更新します。いつでも退会できます。

I, Vera: The Many Lives of Vera Gedroits, a Radical Princess

著者: Miranda Seymour
プレミアムプランを無料で試す

30日間の無料体験後は月額¥1500で自動更新します。いつでも退会できます。

¥2,400で今すぐ予約注文する

¥2,400で今すぐ予約注文する

このコンテンツについて

Princess Vera Giedroytz was a towering, sweet-faced lesbian Princess who habitually wore a man’s suit, played billiards with brilliance, and regularly performed true medical miracles of surgery, while on occasion forcibly ejecting an inquisitive Rasputin from her operating theatre by throwing him down the stairs.

In 1909, already lauded as a genius, Vera had been appointed by the doomed Tsarina to teach the women of the Romanov family how to assist Vera with her operations. Previously, while working for Cesar Roux at the world’s best known medical institute in Lausanne, Vera had become the world’s first woman surgeon. Later, back in Russia in 1905, she had supervised and revolutionised frontline surgery in the Russo Japanese War (1905). She won the Red Cross’s highest honors – and saved the life of an enemy soldier, the Prince of Japan, while working in nightmarish conditions: a hospital train under fire; a clay-sealed tent in temperatures that regularly reached 22C below zero.

In 1919, Vera was sent to Kiev, where her hospital reforms, innovative work and academic papers crowned an extraordinary career as the only female surgeon in the world – and the first to demonstrate the life-saving abdominal procedure that Vera had evolved while working as the sole physician in a factory near her family home outside Moscow, following her return from Lausanne. In Kiev throughout the 1920s, Vera managed to combine a professional career with an unexpected burst of literary achievement. The Princess-Surgeon’s prose, including a Chekhovian diary of her years as a factory doctor, has been compared to that of Pasternak.

In 1930, after founding a Ukraine hospital for facial reconstruction and being invited to head a senior department of the Kiev Medical Institute, Vera and her widowed lover (and medical assistant) Countess Maria Nirod were seized one midnight, and taken away at gunpoint during the Soviet purge of scientific intellectuals. Their whereabouts for the next ten months was never disclosed. Vera’s pension was cancelled. The hospital and institute were closed. Living in extreme poverty, still with her lover and the Countess’s children, an uncowed Vera died in 1932 of uterine cancer – for which, fearing malicious intervention, she refused treatment. She was 61.

The Princess’s name was banished from official Soviet medical records and her tremendous contribution to medicine and the revolutionising of wartime surgery remains unacknowledged to this day. Now, Miranda Seymour recovers this lost story of a brilliant, politically outspoken woman who chose to make Ukraine her homeland, someone adored by her friends and patients, and whose achievements outrank even those of Florence Nightingale.

©2026 Miranda Seymour
20世紀 プロフェッショナル・学問 ロシア 伝記・自叙伝 医療 医薬・ヘルスケア業界 歴史・解説 近代

批評家のレビュー

PRAISE FOR I USED TO LIVE HERE ONCE:

‘This is a first-class life and a rollicking read. Seymour skilfully interweaves the autographical stories and novels with the people and fortunes in Rhys’s crazily adventurous life. She’s warmly sympathetic to the young ingénue of 17, and only slightly less so to the old bat of 87. She’s also the only Rhys biographer who travelled to Dominica to see what it was about the island — its colours, smells, conflicted history and voodoo sorcery — that haunted Rhys all her days but fired her imagination. The result is close to a masterpiece’

John Walsh, Sunday Times

‘Her intimate and insightful biography … certainly reads like a novel. [Seymour] is a bewitching writer … gives us Rhys in all her glory’

Laura Freeman, The Times

‘The superb achievement of Miranda Seymour’s painstaking and compassionate new biography is to dispel forever the idea that Rhys was simply a naïve chronicler of her own experiences … in terms of sheer technique, she was a virtuoso’

Spectator

‘[A] slyly compelling new biography of Jean Rhys … The narrative has the tension of a thriller as Rhys struggles to finish Wide Sargasso Sea

Rachel Cooke, Observer

‘Seymour,a masterful biographer… tells her story with empathy, precision and a keen eye for the telling detail’ LA Times, A Book of the Year 2022

‘An exhaustive, definitive ride around both the idea and the reality of Jean Rhys … Seymour addresses a writer and woman who is at once self-absorbed and thoughtful, sardonic and sensitive’

Siobhán Kane, Irish Times

‘An absolute belter of a biography … don’t read if you are afraid of monsters’ Marina Hyde, Favourite Reads of 2022

‘A very impressive piece of work. A long and tangled life most authoritatively pieced together. I was completely absorbed’

Michael Frayn, author of Noises Off

まだレビューはありません