Death Takes Me
from the Pulitzer Prize-winning author
カートのアイテムが多すぎます
ご購入は五十タイトルがカートに入っている場合のみです。
カートに追加できませんでした。
しばらく経ってから再度お試しください。
ウィッシュリストに追加できませんでした。
しばらく経ってから再度お試しください。
ほしい物リストの削除に失敗しました。
しばらく経ってから再度お試しください。
ポッドキャストのフォローに失敗しました
ポッドキャストのフォロー解除に失敗しました
聴き放題対象外タイトルです。Audibleプレミアムプラン登録で、非会員価格の30％OFFで購入できます。
オーディオブック・ポッドキャスト・オリジナル作品など数十万以上の対象作品が聴き放題。
オーディオブックをお得な会員価格で購入できます。
30日間の無料体験後は月額￥1500で自動更新します。いつでも退会できます。
Death Takes Me
ナレーター：
Carlotta Brentan, Fabiola Stevenson, Ines del Castillo, Lee Osorio, Mark Sanderlin, Tony Chiroldes, Victoria Villarreal
￥2,830 で購入
Translated by Sarah Booker and Robin Myers
A city is always a cemetery.
When a professor named Cristina Rivera Garza stumbles upon the corpse of a man in a dark alley, she finds a stark warning on the brick wall beside the body, scrawled in coral nail polish: ‘Beware of me, my love / beware of the silent woman in the desert.’
After reporting the crime to the police, the professor becomes the lead informant of the case, led by a detective with a newfound obsession with poetry and a long list of failures on her back. But what has the professor really seen? While more bodies of men are found across the city, the detective tries to decipher the meaning of the poems, and the darker stream of violence spreading throughout the city.
From one of Mexico’s greatest living writers, Death Takes Me is a dark and dazzling literary thriller that flips the traditional crime narrative on its head, in a world where death is rampant and violence is gendered. Unfolding with the charged logic of a dream in sentences as sharp as the cuts on the bodies of the victims – a word which, in Spanish, is always feminine – it explores with masterful imagination the unstable terrains of desire and sexuality.
PRAISE FOR CRISTINA RIVERA GARZA
'Warning: Cristina Rivera Garza is an explosive writer. A dexterous creator of atmospheres, with a powerful style, an evocative and indomitable language' Lina Meruane
'A masterful storyteller' Jennifer Clement
(P)2025 Penguin Random House LLC
批評家のレビュー
This detective novel radically scrambles what we think of, and how we relate to, the genre ... The case [is] “full of psychological nooks and crannies. Of poetic shadows. Gender traps. Metaphors. Metonyms.” That also describes Rivera Garza’s exceptional style, and the deeply rewarding experience of reading Death Takes Me. The novel is dense and elliptical, a dreamscape with a powerful undertow ... [A] harrowing and labyrinthine masterpiece
A subversive twist on the traditional serial killer story
Rivera Garza, who won a Pulitzer prize last year for her memoir of femicide in Mexico, plays with form, blending fiction with an essay complete with footnotes, satirising media coverage, incorporating comments on the publication of the book we’re reading, and generally having fun. Her exuberance is contagious. “Reading shouldn’t be so complicated,” says one character. “A matter of turning the page.” Of course, it’s both
When is a novel not a novel, and when is a novel more than a novel? Death Takes Me, the new novel by Cristina Rivera Garza, juggles these ideas and doesn't let them drop in a story that is part crime fiction, part poetry, part thesis and so many things besides ... All those genres and ways of thinking can be found in this book (Ian McMillan on 'The Verb')
Rivera Garza’s dazzling prose here becomes sharper than ever … Obsessive, dreamlike and hallucinatory, Death Takes Me lingers inside your brain long after you’ve read it (Layla Martínez)
An extraordinary, fiercely imaginative novel, written with the precision of a true master of her craft … I couldn’t put it down (Juan Gómez-Jurado)
The novel brilliantly melds the grit and pacing of a police procedural with literary theory ... It’s all seamlessly conveyed in Rivera Garza’s incisive and poetic style. Life and literature become one in this singular achievement
adbl_web_anon_alc_button_suppression_c
まだレビューはありません