Daughter (Waiting for Her Drunk Father to Return from the Men's Room)
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Daughter (Waiting for Her Drunk Father to Return from the Men's Room)
ナレーター：
Peter Ganim, Michael Crouch, Robert Petkoff, Natalia Payne, Brittany Pressley, Robert Fass
￥2,400 で購入
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著者：
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Mark Leyner
このコンテンツについて
An anthropologist and his daughter travel to Kermunkachunk, the capital of Chalazia, to conduct research for an ethnography on the Chalazian Mafia Faction (a splinter group of the Chalazian Children’s Theater). The book takes place over the course of a night at the Bar Pulpo, Kermunkachunk’s #1 spoken-word karaoke bar. Moreover, it’s Thursday, “Father/Daughter Nite,” when the bar is frequented by actual fathers and daughters as well as couples cosplaying fathers and daughters.
Somehow emanating from the letters on an optometrist’s eye chart, from karaoke screens in the bar, and from posters on a piazza that’s the scene of phantasmagorical and unending mob wars, Daughter (Waiting for Her Drunk Father to Return from the Men's Room) relentlessly pulls the rug out from under itself, leaving you suspended in a state of perpetual exhilaration.
Leyner, one of the most blazingly imaginative and influential writers of the last thirty years, has not only written his funniest novel, he’s broken through to something entirely unprecedented. Imagine tripping on a hallucinogen made by an alien intelligence and then wanting to immediately call your dad (in this world or the next) and tell him that you love him.
It’s a novel about the deep pleasures of reading and drinking, the tumultuous reign of a cabal of mystic mobsters, and, of course, the transcendent love of a father for his daughter.
批評家のレビュー
“Part epic and part exegesis, part folktale and part gravy bender, part song and part scream. A fiction…that screams all the parts.”—Mitch Therieau, n+1
"Narrative form is an ever malleable plaything in Leyner’s ostentatiously acrobatic new novel. . . . shamelessly funny."—Kirkus Reviews
"With Last Orgy of the Divine Hermit, Mark Leyner—comic virtuoso, avant-garde literary tummler, trope-exploder extraordinaire—has outdone himself. After more than three decades, he remains the funniest and bravest of writers, not to mention the one least interested in stale conventions of fiction. We are lucky to have Leyner. Without his books to read, I probably would have enucleated my eyes with a melon-baller a long time ago."—Sam Lipsyte, author of Hark and The Ask
“Like a neck realignment you didn’t know you needed, and didn’t even ask for, Last Orgy of the Divine Hermit will leave you amazed, euphoric and stunned. Underneath the brilliant one-liners, wide-ranging satire and thrillingly violent slapstick set pieces, is a poignant story about a father’s love for his daughter, and his terror of losing the one person on earth who seems to vaguely understand him. Aggressively original, intensely inventive and extremely funny, Leyner’s new novel reminds me of why his books inspired me to start writing fiction in the first place. Stop being such a coward for once in your damn life and read Mark Leyner.”—Simon Rich, author of Hits & Misses
“As in most of Leyner’s novels, these little joke-bombs go off on nearly every page…a weirdly exciting reading experience. The serious work of this comedy is to depict a father’s love for his daughter and their shared recognition that they won’t always be together. It’s played out across a hall of mirrors, an 'infinite regress of fathers and daughters.' The situation arouses pathos, which Leyner acknowledges before relentlessly hyperbolizing, satirizing and detonating the pathos. The novel’s underlying poignancy, however, remains intact.”—Ken Kalfus, New York Times Book Review
“Sentimentality, it seems, can take many forms much like history, mythology and folklore. In this case it’s a little beacon in clouds of chaos. The Last Orgy of the Divine Hermit is of a piece with Leyner’s body of work, while also baring an underlying sweetness as the author recognizes and updates the trope of the mad scientist with the daughter.”—Houston Chronicle
"Exhilarating and grotesque."—Publishers Weekly
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