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Troy Broussard – Author, Where Lies the Truth

Troy Broussard – Author, Where Lies the Truth

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For many people across Acadiana, Allen & Gooch attorney Troy Broussard is known as a respected litigator and senior partner who has practiced law in Lafayette for more than three decades. But in this episode of Discover Lafayette, listeners meet another side of Troy: novelist, storyteller, songwriter, painter, observer of South Louisiana culture, and thoughtful chronicler of the complicated racial history woven into life in Acadiana. Troy joins us to discuss his recently published novel, Where Lies the Truth, a Southern coming-of-age crime story set against the bayous and backroads of St. Landry Parish. The novel opens in the summer of 1976, when 12-year-old Ezra Brasseaux embarks on what should have been an ordinary hunting trip in the swamps near his hometown. Instead, Ezra stumbles into a world shaped by violence, racial tension, buried secrets, and murder — experiences that haunt him well into adulthood. What unfolds during our conversation is far more than a discussion about writing fiction. Troy reflects candidly on growing up in Eunice during the earliest years of racial integration in St. Landry Parish schools. He describes himself and his classmates as “the guinea pigs,” among the first children thrown together as long-segregated cultures suddenly collided in classrooms and communities. “As I grew older,” Troy explains, “my views of it changed looking at it retrospectively.” He discusses the slow and deeply personal evolution away from what he calls “southern small-town indoctrination,” and how exposure to new people, ideas, and experiences gradually reshaped his understanding of race, prejudice, and human complexity. That emotional and intellectual evolution forms the backbone of Where Lies the Truth. Troy emphasizes that while the novel is entirely fictional, it is heavily inspired by real people, real conversations, and real tensions that shaped South Louisiana life in the 1970s and beyond. “This is not a true story,” he says. “But yes, it is inspired by actual events and actual people.” The story follows Ezra Brasseaux and his closest friends, Giles Poirier and Vance Doiron, as they navigate adolescence in a culturally divided Acadiana landscape. Years later, they are pulled back into the mystery of an unsolved crime involving two young Black victims, forcing them to confront painful truths hidden beneath decades of assumptions and silence. Troy says the novel ultimately explores “the idea of learning, trying to unlearn things you believed had been true your whole life, and realizing that there’s another side to the story.” One of the most compelling aspects of our conversation is Troy’s nuanced discussion of race in South Louisiana. He argues that Acadiana’s cultural history cannot simply be reduced to Black-and-white narratives. Instead, he describes a far more layered social reality involving Cajun Catholics, white Protestants, Creoles, and African Americans — all with their own tensions, identities, and historical wounds. In researching the novel, Troy interviewed people from a wide range of backgrounds and heard stories that profoundly affected him, including accounts of colorism and exclusion that persisted even within Black communities themselves. He shares one striking example involving the “brown paper bag test” still being informally referenced in certain university social circles as recently as a decade ago. The conversation also dives deeply into the creative process itself. Troy spent nearly 15 years writing the novel, beginning the project in his early 40s and finally completing it in his mid-50s. What began as a sprawling 1,200-page manuscript eventually had to be painfully condensed into a publishable form. “The difficult part of the editing was not so much the technology,” Troy explains, “but when you write something and you really immerse yourself in the creative process, what you write kind of becomes like your children.” He jokingly compares the process to “Sophie’s Choice of editing,” where every deleted scene altered timelines, relationships, and emotional continuity throughout the story. Troy credits several influential teachers with shaping his ability to write. He speaks with tremendous affection about Elaine Dumais, his teacher in the gifted program in St. Landry Parish, who first introduced him to creativity and artistic thinking. He also honors his demanding high school English teacher Carol Fuselier, whose relentless standards prepared him not only for law school but ultimately for writing fiction. “I knew how to write because she gave that to me,” Troy says. “She pushed me.” Listeners will especially enjoy hearing Troy describe how characters begin to “write themselves” once a novelist becomes immersed in a story. He explains that dialogue became his favorite part of the process because it allowed him to fully inhabit personalities vastly different from his own — from successful ...
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