From the author of The Cassandra (“Quirky, funny, dark”—Margaret Atwood), a historical reimagining of Hans Christian Andersen’s life and a love letter to storytelling as an act of survival

In the early nineteenth century, a boy named Hans—the son of an illiterate washerwoman and a penniless cobbler—navigates an impoverished life in Odense, Denmark. Hans and his father escape to a world of their own making through the magic of storytelling, reading stories and plays aloud in their small home. But when Hans finds himself orphaned, he flees to Copenhagen, where he can finally pursue his dream of being a performer and a writer. His first taste of success comes from a forlorn fairy tale called “The Little Mermaid,” a story of unrequited love inspired by his own heartbreak, one that changes the course of his life.

By 1856, Hans is an internationally renowned storyteller whose many fans include Charles Dickens, who offhandedly invites Hans to visit him and his wife, Catherine, in England. Catherine, an aggrieved mother of ten children, is navigating a humiliating betrayal by her husband when she forms an unlikely friendship with her unruly houseguest, a fellow outsider in Victorian society whose desire for unconditional love appears just out of reach.

A rich retelling of Hans Christian Andersen’s life and literary lineage, Duckling is a testament to how imagination lives on even after the story has ended.