Andrew Noseworthy reflects on how a DIY ethos became less a philosophy than a survival skill—one forged through limited access, institutional gatekeeping, and the repeated experience of being told “no.” Rather than waiting for permission, he learned to build the structures he needed himself: founding labels, curating genre-fluid concerts, organizing consortium commissions, and prioritizing collective momentum over individual validation. For Andrew, the appeal of DIY practice isn’t just autonomy—it’s sustainability. He questions institutional models that fund single premieres without long-term life, and instead advocates for communal approaches that allow pieces to circulate, evolve, and be heard multiple times by different performers and audiences. Drawing inspiration from band culture and touring models, he frames DIY work not as an alternative to legitimacy, but as a way to imagine a future where new music grows beyond its own bubble.

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