Lena Dunham’s latest Netflix rom-com series, Too Much, hasn't gained much traction since debuting in July 2025. In November, Netflix announced it was not renewing the series for a second season; the following month, it was ignored at the Golden Globes, despite strong casting and clever writing from Dunham, the Jewish showrunner behind the seminal HBO shows Girls.

Nonetheless, The CJN's opinion editor, Phoebe Maltz Bovy, has high praise for the show, which sees a young Jewish woman (Megan Stalter) tumultuously break up with her Jewish boyfriend (Michael Zegen), only to take a job posting in London, U.K, where she gets to live out her Brit-com and Jane Austen fantasies with a new love interest (Will Sharpe).

The show is fast-paced and funny, and drew mostly positive reviews, with critics complaining that Dunham—who famously writes autobiographically navel-gazing characters—falls into her same old habits with her lead character. But if you ask Lior Zaltzman, the deputy managing editor at Kveller, Too Much is just right, hitting the right notes both in terms of Jewish representation and assertive female storytelling. Ahead of the winter holiday season, Zaltzman joins The Jewish Angle to explain why the short-lived series is worth binging over Hanukkah.

Credits

• Host: Phoebe Maltz Bovy

• Producer and editor: Michael Fraiman

• Music: " Gypsy Waltz " by Frank Freeman, licensed from the Independent Music Licensing Collective

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