A Short Film About Disappointment
A Novel
カートのアイテムが多すぎます
ご購入は五十タイトルがカートに入っている場合のみです。
カートに追加できませんでした。
しばらく経ってから再度お試しください。
ウィッシュリストに追加できませんでした。
しばらく経ってから再度お試しください。
ほしい物リストの削除に失敗しました。
しばらく経ってから再度お試しください。
ポッドキャストのフォローに失敗しました
ポッドキャストのフォロー解除に失敗しました
聴き放題対象外タイトルです。Audibleプレミアムプラン登録で、非会員価格の30％OFFで購入できます。
オーディオブック・ポッドキャスト・オリジナル作品など数十万以上の対象作品が聴き放題。
オーディオブックをお得な会員価格で購入できます。
30日間の無料体験後は月額￥1500で自動更新します。いつでも退会できます。
A Short Film About Disappointment
ナレーター：
Ari Fliakos
￥2,000 で購入
-
ナレーター：
-
Ari Fliakos
-
著者：
-
Joshua Mattson
このコンテンツについて
In near-future America, film critic Noah Body uploads his reviews to a content aggregator. His job is routine: watch, seethe, pan. He dreams of making his own film, free from the hackery of commercial cinema. Faced with writing about lousy movies for a website that no one reads, Noah smuggles into his work episodes from his trainwreck of a life.
We learn that his apartment in Miniature Aleppo has been stripped of furniture after his wife ran off with his best friend—who Noah believes has possessed his body. He's in the middle of an escalating grudge match against a vending machine tycoon with a penchant for violence. And he's infatuated with a doctor who has diagnosed him with a "disease of thought." Sapped by days performing the labor of entertainment, forced to voice opinions on cinema to earn his water rations, Noah is determined to create his own masterpiece, directed by and starring himself.
Written by a debut novelist with a rotten wit and a singular imagination, A Short Film About Disappointment is a story about holding on to a scrap of hope in a joyously crummy world of nanny states and New Koreas.
批評家のレビュー
“Mattson’s wordplay and low-key sarcasm are reminiscent of Vladimir Nabokov. . . . Mattson also shares Nabokov’s gift for precise wit.” —Star Tribune
“Mattson’s intelligence, in the form of knife-sharp observations and acrobatic language, takes the novel’s center stage.”—Booklist
“[A] sharp, funny debut. . . . With weapons-grade wit, Mattson satirizes movies, reviewers, and life in the data age. . . . Mattson’s exhilarating novel is rife with ingenious humor and inventiveness.”—Publishers Weekly, starred review
“When dystopia subsumes the world, a hero must rise—at least, that's the kind of banal premise Noah Body expects of the films he reviews, or rather eviscerates, though he's so little read that his ‘criticism’ amounts to a solipsistic blog about his life and bad decisions. The future he inhabits is less operatically wicked than just stifling, and he has really no power, but he keeps dreaming of making real art and keeps screwing it up. In real life, Katniss Everdeen would be a pious adolescent bore—better to follow Noah and his messy humanity. One feels a little guilty for finding his suffering so funny.” —Zachary Mason, author of The Lost Books of the Odyssey
"A bracing gimlet of vintage ’60’s gonzo with a dash of Charley Brooker bitters, add a twist of Pauline Kael and get ready for this raucous, ambitious and thoroughly hilarious thousand proof debut." —Bradford Tatum, author of Only the Dead Know Burbank
“Joshua Mattson is a very talented and very funny writer.” —Ben Loory, author of Tales of Falling and Flying
“Mattson’s intelligence, in the form of knife-sharp observations and acrobatic language, takes the novel’s center stage.”—Booklist
“[A] sharp, funny debut. . . . With weapons-grade wit, Mattson satirizes movies, reviewers, and life in the data age. . . . Mattson’s exhilarating novel is rife with ingenious humor and inventiveness.”—Publishers Weekly, starred review
“When dystopia subsumes the world, a hero must rise—at least, that's the kind of banal premise Noah Body expects of the films he reviews, or rather eviscerates, though he's so little read that his ‘criticism’ amounts to a solipsistic blog about his life and bad decisions. The future he inhabits is less operatically wicked than just stifling, and he has really no power, but he keeps dreaming of making real art and keeps screwing it up. In real life, Katniss Everdeen would be a pious adolescent bore—better to follow Noah and his messy humanity. One feels a little guilty for finding his suffering so funny.” —Zachary Mason, author of The Lost Books of the Odyssey
"A bracing gimlet of vintage ’60’s gonzo with a dash of Charley Brooker bitters, add a twist of Pauline Kael and get ready for this raucous, ambitious and thoroughly hilarious thousand proof debut." —Bradford Tatum, author of Only the Dead Know Burbank
“Joshua Mattson is a very talented and very funny writer.” —Ben Loory, author of Tales of Falling and Flying
まだレビューはありません