検索キーワード： 著者 "Margaret Atwood" すべてのカテゴリー

After a staged terrorist attack kills the President and most of Congress, the government is deposed and taken over by the oppressive and all-controlling Republic of Gilead. Offred is a Handmaid serving in the household of the enigmatic Commander and his bitter wife. She can remember a time when she lived with her husband and daughter and had a job, before she lost even her own name.

Life is hard enough for a teenage girl in 1950s suburbia without having a mother who may—or may not—be a witch. A single mother at that. Sure, she fits in with her starched dresses, string of pearls, and floral aprons. Then there are the hushed and mystical consultations with neighborhood women in distress. The unsavory, mysterious plants in the flower beds. The divined warning to steer clear of a boyfriend whose fate is certainly doomed.

More than 15 years after the events of The Handmaid's Tale, the theocratic regime of the Republic of Gilead maintains its grip on power, but there are signs it is beginning to rot from within. At this crucial moment, the lives of three radically different women converge, with potentially explosive results. Two have grown up as part of the first generation to come of age in the new order. The testimonies of these two young women are joined by a third: Aunt Lydia. Her complex past and uncertain future unfold in surprising and pivotal ways.

The Republic of Gilead offers Offred only one function: to breed. If she deviates, she will, like dissenters, be hanged at the wall or sent out to die slowly of radiation sickness. But even a repressive state cannot obliterate desire - neither Offred's nor that of the two men on which her future hangs. Brilliantly conceived and executed, this powerful evocation of 21st-century America gives full rein to Margaret Atwood's devastating irony, wit and astute perception.

After a violent coup in the United States overthrows the Constitution and ushers in a new government regime, the Republic of Gilead imposes subservient roles on all women. Offred, now a Handmaid tasked with the singular role of procreation in the childless household of the enigmatic Commander and his bitter wife, can remember a time when she lived with her husband and daughter and had a job, before she lost everything, even her own name.

In these nine tales, Margaret Atwood ventures into the shadowland earlier explored by fabulists and concoctors of dark yarns such as Robert Louis Stevenson, Daphne du Maurier and Arthur Conan Doyle - and also by herself, in her award-winning novel Alias Grace. In Stone Mattress, Margaret Atwood is at the top of her darkly humorous and seriously playful game.

Myrna, Leonie, and Chrissy meet every Thursday to sample fine cheeses, to reminisce about their former lives as professors, and lately, to muse about murder. Decades ago, a vicious cabal of male poets contrived—quite publicly and successfully—to undermine the writing career, confidence, and health of their dear friend Fern. Now, after Fern has taken a turn for the worse, her three old friends decide that it’s finally time to strike back—in secret, of course, since Fern is far too gentle to approve of a vendetta.

A collection of highly imaginative short pieces that speak to our times with deadly accuracy. Vintage Atwood creativity, intelligence, and humor: think Alias Grace. Margaret Atwood turns to short fiction for the first time since her 2006 collection, Moral Disorder, with nine tales of acute psychological insight and turbulent relationships bringing to mind her award-winning 1996 novel, Alias Grace.

The One State is the perfect society, ruled over by the enlightened Benefactor. It is a city made almost entirely of glass, where surveillance is universal and life runs according to algorithmic rules to ensure perfect happiness. And D-503, the Builder, is the ideal citizen, at least until he meets I-330, who opens his eyes to new ideas of love, sex and freedom.

For the past twenty-five years, Margaret Atwood has written works of striking originality and imagination. In The Blind Assassin, she stretches the limits of her accomplishments as never before, creating a novel that is entertaining and profoundly serious. The novel opens with these simple, resonant words: "Ten days after the war ended, my sister drove a car off the bridge." They are spoken by Iris, whose terse account of her sister Laura's death in 1945 is followed by an inquest report proclaiming the death accidental.

Margaret Atwood's classic novel, The Handmaid's Tale, is about the future. Now, in Oryx and Crake, the future has changed: it's much worse. The narrator of this riveting novel calls himself Snowman. When the story opens, he's sleeping in a tree, wearing an old bedsheet, mourning the loss of his beloved Oryx and his best friend Crake, and slowly starving to death.

The long-awaited new novel from Margaret Atwood. The Year of the Flood is a dystopic masterpiece and a testament to her visionary power. The times and species have been changing at a rapid rate, and the social compact is wearing as thin as environmental stability. Adam One, the kindly leader of the God's Gardeners - a religion devoted to the melding of science and religion, as well as the preservation of all plant and animal life - has long predicted a natural disaster that will alter Earth as we know it. Now it has occurred, obliterating most human life.

Locked up at the age of 16 for the bloody murders of her employer and his housekeeper, Grace Marks was lucky not to have been hung. But the questions remain: innocent or guilty, instigator or innocent dupe? Sixteen years later, Dr Simon Jordan, an expert in amnesia, is given access to Grace, who now spends most of her days as a servant in the home of the prison Governor, befriended by the Governor's wife who believes in her innocence.

Tracing the legacy of Margaret Atwood—a writer who has fundamentally shaped the contemporary literary landscapes—Paper Boat: New and Selected Poems, 1961-2023 assembles Atwood’s most vital poems in one essential volume. In pieces that are at once brilliant, beautiful, and hyper-imagined, Atwood gives voice to remarkably drawn characters—mythological figures, animals, and everyday people—all of whom have something to say about what it means to live in a world as strange as our own.

Geschichten machen die Welt zu einem besseren Ort. New York im April 2020. Während des ersten Lockdowns wird das Dach ihres Mietshauses für die Bewohner zur überraschenden Zuflucht vor der Isolation. Jeden Abend treffen sie sich dort und erzählen einander ihre ungewöhnlichen, spannenden, komischen und bewegenden Geschichten. Jeder Mieter und jede Mieterin steuert eine bei (wahr oder zumindest gut erfunden), und ein neues Decamerone für unsere Zeit nimmt seinen Anfang. Allmählich findet die Runde zu einer unerwarteten Gemeinschaft und Anteilnahme füreinander.

Une écrivaine de fantasy récemment veuve se laisse guider à travers un hiver glacial par la voix de son défunt époux. Une dame âgée, victime d'hallucinations, apprend peu à peu à accepter la présence des petits hommes qui ne cessent de surgir à ses côtés tandis que des militants populistes se rassemblent pour mettre le feu à sa maison de retraite. Une femme née avec une malformation génétique passe pour un vampire. Un crime commis il y a longtemps se voit vengé dans l'Arctique par un stromatolithe vieux de 1,9 milliard d'années.

What is the role of the writer? Prophet? High priest of art? Court jester? Or witness to the real world? Looking back on her own childhood and writing career, Margaret Atwood examines the metaphors which writers of fiction and poetry have used to explain - or excuse! - their activities, looking at what costumes they have assumed, what roles they have chosen to play. In her final chapter she takes up the challenge of the title: if a writer is to be seen as "gifted", who is doing the giving and what are the terms of the gift?

Stan et Charmaine ont été touchés de plein fouet par la crise économique qui consume les États-Unis. Tous deux survivent grâce aux maigres pourboires que gagne Charmaine dans un bar sordide et se voient contraints de loger dans leur voiture... Aussi, lorsqu'ils découvrent à la télévision une publicité pour une ville qui leur promet un toit au-dessus de leur tête, ils signent sans réfléchir : ils n'ont plus rien à perdre. À Consilience, chacun a un travail, avec la satisfaction d'œuvrer pour la communauté, et une maison. Un mois sur deux.

Une peste créée par l'homme a ravagé la Terre. Les rares survivants forment une communauté avec une espèce inoffensive, fabriquée pour remplacer les humains, les Crakers. À sa tête, un couple au passé tumultueux, Toby, experte en champignons et abeilles, et Zeb, mangeur d'ours et fils d'un prêcheur maléfique. Dépositaire et garante de la mémoire, Toby transmet aux Crakers, curieux comme des enfants et avides de légendes, l'histoire des hommes. Au contact les uns des autres, humains et Crakers posent les fondements d'un nouveau monde.

Devant la chute drastique de la fécondité, la république de Gilead, récemment fondée par des fanatiques religieux, a réduit au rang d'esclaves sexuelles les quelques femmes encore fertiles. Vêtue de rouge, Defred, "servante écarlate" parmi d'autres, à qui l'on a ôté jusqu'à son nom, met donc son corps au service.