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  • Trafficking with Demons

  • Magic, Ritual, and Gender from Late Antiquity to 1000
  • 著者: Martha Rampton
  • ナレーター: Tina Smith
  • 再生時間: 16 時間 34 分

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Trafficking with Demons

著者: Martha Rampton
ナレーター: Tina Smith
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批評家のレビュー

"A comprehensive overview of how early medieval magic was perceived." (Catherine Rider, author of Magic and Religion in Medieval England)

"This sweeping book is an important contribution to the history of magic and of women in the first millennium." (associate editor of Magic, Ritual, and Witchcraft)

あらすじ・解説

Trafficking with Demons explores how magic was perceived, practiced, and prohibited in western Europe during the first millennium CE. Through the overlapping frameworks of religion, ritual, and gender, Martha Rampton connects early Christian reckonings with pagan magic to later doctrines and dogmas. Challenging established views on the role of women in ritual magic during this period, Rampton provides a new narrative of the ways in which magic was embedded within the foundational assumptions of western European society.

As Rampton shows, throughout the first Christian millennium, magic was thought to play a natural role within the functioning of the universe and existed within a rational cosmos hierarchically arranged according to a "great chain of being." Trafficking with the "demons of the lower air" was the essense of magic. Interactions with those demons occurred both in highly formalistic, ritual settings and on a routine and casual basis.

Rampton tracks the competition between pagan magic and Christian belief from the first century CE, when it was fiercest, through the early Middle Ages, as atavistic forms of magic mutated and found sanctuary in the daily habits of the converted peoples and new paganisms entered Europe with their own forms of magic. By the year 1000, she concludes, many forms of magic had been tamed and were, by the reckoning of the elite, essentially ineffective, as were the women who practiced it and the rituals that attended it.

The book is published by Cornell University Press. The audiobook is published by University Press Audiobooks.

©2021 Cornell University (P)2024 Redwood Audiobooks

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